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Adam Elsheimer

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Elsheimer, Adam 

Born Mar. 18, 1578, in Frankfurt; died Dec. 11, 1610, in Rome. German painter.

Elsheimer studied under F. Uffenbach in Frankfurt. He worked in Venice from 1598 to 1600 and in Rome from 1600. Most of his paintings are small-scale works, mainly on copper, in a painstaking style reminiscent of the miniature. He produced religious and mythological scenes, usually in simple, domestic settings, such as Jupiter and Mercury in the Home of Philemon and Baucis (Dresden Picture Gallery). In his landscapes he combined his poetic and intimate perception of nature with precise three-dimensional composition, for example, Landscape With Round Temple (National Gallery, Prague). Especially characteristic of Elsheimer’s works were his night scenes, noted for their exceptional soft chiaroscuro transitions. They include Flight Into Egypt (1609, Old Pinakothek, Munich). Elsheimer had a significant influence on such masters as Claude Lorraine, Rembrandt, and Rubens.

REFERENCE

Weizsäcker, H. Adam Elsheimer, der Maler von Frankfurt, vols. 1 (books 1–2) and 2. Berlin, 1936–52.


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That's just the start: the Old Masters include a wonderful Poussin, a great Rembrandt self-portrait that once belonged to Charles I, a Titian, a Veronese, a really nice Adam Elsheimer, and a Simone Martini.
The sumptuous production of Adam Elsheimer (with its 37 colour-plates, all meticulously reproduced, and its 163 additional illustrations, mostly in colour) is a deserved tribute to its creator, Rudiger Klessmann, former Director of the Braunschweig Kunstmuseum.
The second juxtaposes secular and sacred forms in its approach to courtly nighttime entertainments in the reign of France's Charles IX; to the painterly arts of Antoine Caron, Georges de La Tour, and Adam Elsheimer which depict crepuscular realism; and to collections of popular tales deigned to be read at evening firesides, such as Guillaume Bouchet's Serees and Estienne Tabourot's Les escraignes dijonnaises.
 
 
 
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