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Adler, Stella

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Adler, Stella (ăd`lər), 1901–92, American actress, director, and acting teacher, b. New York City. The daughter of Jacob and Sarah Adler, stars in New York's Yiddish theater, she made her acting debut in 1906 in one of her father's productions. A member of the American Laboratory Theater in the 1920s, Adler co-founded (1931) The Group Theatre Group Theatre, organization formed in New York City in 1931 by Harold Clurman, Cheryl Crawford, and Lee Strasberg . Its founders, who had worked earlier with the Provincetown Players , wished to revive and redefine American theater by establishing a permanent company
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 and was influenced by the ideas of Constantin Stanislavsky, Stanislavsky, Constantin (kənstəntyēn` stənyĭsläf`skē)
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 with whom she briefly studied (1934) in the Soviet Union. Returning to The Group Theatre, she performed with the company and taught her modified version of the Stanislavsky method, which emphasized the use of imagination as the basis of acting technique. After a stint (1937–42) in Hollywood, where she acted in films and was a producer at Metro-Goldwyn-Mayer (MGM), she came back to New York, resumed theatrical acting and directing, taught at the New School, and later founded (1949) her own acting school. Adler, whose students included Marlon Brando, Brando, Marlon, 1924–2004, American film actor, often described as the greatest of his generation, b. Omaha, Nebr. Regarded as the foremost practitioner of "method" acting as taught by American disciples of Constantin Stanislavsky at New York's Actor's Studio,
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 Robert De Niro, De Niro, Robert (də nĭr`ō), 1943–, American film actor, b. New York City.
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 Warren Beatty, Beatty, Warren (Henry Warren Beatty) (bā`tē, bē`–)
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 and many other performers, exerted a profound influence on American acting.

Bibliography

See her The Technique of Acting (1988); B. Paris, ed., Stella Adler on Ibsen, Strindberg, and Chekhov (1999); H. Kissel, ed., Stella Adler: The Art of Acting (2000); J. Rotté, Acting with Adler (2000).



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