Aert de Gelder


Also found in: Wikipedia.

Gelder, Aert (Arent) de

 

Born Oct. 26, 1645, in Dordrecht; died there Aug. 25, 1727. Dutch painter.

Gelder studied first in Dordrecht under S. van Hoogstraaten (about 1660) and later in Amsterdam under Rembrandt, whose last and most faithful pupil he became. His works in the 1670’s are democratic in spirit and are characterized by the emotional vividness of his subjects. His range of saturated browns and olives is accented with violet and orange hues (Ecce Homo, 1671, the Dresden Picture Gallery; Entrance to the Temple, 1679, the Mauritshuis, The Hague; and The Wandering Musician, the Hermitage, Leningrad). His paintings in the 1680’s and 1690’s, such as Lot and His Daughters (the Pushkin Museum of Fine Arts, Moscow), have an exotic elegance and sensitiveness and show delicacy in texture and color effects. In his later series of paintings of the Lord’s Passion, painted about 1715 (Aschaffenburg, Amsterdam, and Munich museums), fantastic and subjectivistic elements are found.

REFERENCE

Lilienfeld, K. Arent de Gelder, sein Leben and seine Werke. The Hague, 1914.
References in periodicals archive ?
1631-1661), de la coleccion Cambier de Bruselas, y otro Aseo de Ester o Ester preparandose para aparecer ante Asuero (coleccion privada) del tardio discipulo rembrandtiano Aert de Gelder (1645-1727) (Fig.
9), que muestra la copa de plata con una forma semejante al caracol marino, copiando la famosa pieza de Adam van Vianen, el libro, el espejo, el cortinaje aulico, la arqueta con joyas o la sirvienta arreglando el pelo, y Ester y Mardoqueo (1685; Museo de Bellas Artes de Budapest) de Aert de Gelder (Fig.
Rembrandt's loose technique was imitated closely by his pupil of this late period, Aert de Gelder, who here opts for more candid emotions in his scene of the brazen encounter between the Old Testament patriarch Judah and his daughter-in-law Tamar.