Affonso Eduardo Reidy


Also found in: Wikipedia.
Affonso Eduardo Reidy
NationalityBrazilian

Reidy, Affonso Eduardo

 

Born Oct. 26, 1909, in Paris; died Aug. 10, 1964, in Rio de Janeiro. Brazilian architect.

Reidy graduated from the National School of Fine Arts in Rio de Janeiro in 1930. He was one of the team of architects that designed the Ministry of Education and Public Health in Rio de Janeiro (1937–43), which was Brazil’s first major work of “new” architecture. Reidy’s work in Rio de Janeiro also included the Pedregulho Residential Neighborhood (1950–52) and the Museum of Modern Art (with R. Burle Marx, 1958). Reidy sought to completely integrate his structures with local climatic conditions. He strove for elegant composition marked by plasticity and for a synthesis of architecture with other forms of art.

REFERENCES

Khait, V. L. “Regionalizm ν sovremennoi arkhitekture (Afonsu Eduardu Reidi).” In the collection Arkhitektura Zapada: Mastera i techeniia, book 1. Moscow, 1972. Pages 53–69.
Franck, K. The Works of Affonso Eduardo Reidy. London, 1960.
Mentioned in ?
References in periodicals archive ?
Acompanada de un equipo interdisciplinar que incluia al arquitecto Affonso Eduardo Reidy y al propio Burle Marx (autores del Museo de Arte y sus jardines, en el remate norte de la intervencion), en 1958, Macedo propuso a Carlos Lacerda, gobernador del desaparecido estado de Guanabara, la creacion de un eje verde que religara la bahia de Botafogo con los antiguos terrenos del cerro de San Antonio.
Brazilian masters of architecture like Oscar Niemeyer, Lucio Costa, and Affonso Eduardo Reidy laid the groundwork for what has become a new vanguard of imaginative buildings from leading international firms.
There was an entire group of architects who witnessed his work as it progressed--including Francisco Bolonha, Affonso Eduardo Reidy, the Roberto brothers, Atilio Correa Lima, and Joao Batista Vilanova Artigas--and although we had a clear sense that his work was impossible to copy, it was our dialogue with Oscar that taught us about a kind of architecture and a kind of city that did not yet exist, and which we would set out to build.
Nonetheless, Rio's inhabitants still welcome the circus of the Olympics, hoping it can catalyse an economic reactivation of their city' and leave a legacy of architecture and urbanism comparable with the golden age of Oscar Niemeyer, Affonso Eduardo Reidy and Sergio Bernardes.
Lucio Costa, arquitecto, teorico y educador, que amaba la obra de Le Corbusier, habia asimilado sus conceptos metodologicos y habia introducido sus ideas en el programa didactico de los cursos de arquitectura en la Escola de Belas Artes de Rio a partir de los primeros anos treinta, contagia esta pasion a sus socios y colaboradores, integrantes del equipo de proyecto del MES, que se transforman rapidamente en los mas brillantes arquitectos de la Escuela Carioca: Jorge Machado Moreira, Carlos Leao, Ernani Vasconcelos, Affonso Eduardo Reidy y Oscar Niemeyer.