Ahura Mazda

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Related to Ahura Mazda: Zoroastrianism

Ahura Mazda/Ahriman

(religion, spiritualism, and occult)

Ahura Mazda is the Zoroastrian high god of light. According to tradition, he is using humankind to defeat Ahriman, or Angra Mainyu, the devil figure of darkness, who has come to Earth to tempt humans away from the light. A battle of light and darkness, good and evil, is being waged that will end at the last judgment, when light will triumph and a new, purified Earth will enter into its prophesied eternal age of destiny.

Ahura Mazda


the supreme god in a number of ancient and early medieval Iranian religions in Southwest and Middle Asia, as well as in the ancient Armenian pantheon, some syncretic Hellenistic cults, and so forth. Today Ahura Mazda is still recognized by the Parsees and the Gabars. In the ancient Persian religion the supreme (but not the sole) god Ahura Mazda was the creator of the sky, the earth, and man, and also the protector of the king and the guarantor of public law and order. In the Gathas by Zarathustra, Ahura Mazda is a single god with the functions of the principal ancient gods, and in the Young Avesta he is the head of a new pantheon of gods. With the development of dualistic notions about the age-old struggle between the principles of good and evil, Ahura Mazda came to be associated with good, in opposition to Angra Mainyu. The modern Zoroas-trians, the Parsees, recognize only the one good god Ahura Mazda (Ormazd) and understand Angra Mainyu (Ahriman) to be essentially only a symbol of the evil tendencies in man.


Ahura Mazda

(Ormuzd, Ormazd) the spirit of good and creator of all things. [Zoroastrianism: Payton, 11]
See: God
References in periodicals archive ?
The writer in her explanation of the source of evil maintains that it is the devil spirit of Ahriman who also was uncreated and used his formidable power to oppose Ahura Mazda.
snai[theta]isim "I present with my praise the daena of those who sacrifice to Ahura Mazda, throwing off the harness, laying down (her) weapons.
It became for religious purposes, according to the creation story preserved in later form in the Pahlavi Bundahisn or "(Book of) Primal Creation," the specific place--supposedly pure in its creation by the divinity--within which Ahura Mazda wrought living creations and in which confusion or evil eventually would be defeated by earthly creatures and divine entities together.
Here, after a pair of riddling rhetorical questions in traditional Indo-Iranian style, (21) Zarathustra himself makes direct appeal to Ahura Mazda "to protect your drigu .
Royal inscriptions prove the investiture of Artaxerxes II by Anahita, alongside Ahura Mazda and Mithra.
His equivalence with Ahura Mazda and the unique lordship of this latter god both point to the idea that the concept of a single lord of the gods also existed as well in the underlying Indo-Iranian religion.
125) Although they are not located within a temple, it is hard to imagine that these elaborate scenes of divine investiture by fully anthropomorphic Ahura Mazda, Anahita, and Mithra are "secular" art entirely deprived of any cubic significance.
it with local and national art and thinking Table 2: Classification of Persian architectural features in the governmental, economic, and religious systems, Source: authors Period System Effective factor Achaemenian-- Governmental Centralized and Persians system unified and strong leadership Economic Strong with system financial reserves Religious obedience of system Ahura Mazda and trilogy gods and kings Period affected--Architecture components Achaemenian-- Using arts and technology Persians of other obedience nations and integration it with local and national art and thinking Symbolic Architecture to inducepolitical, cultural and etc.
When he left home to seek Ahura Mazda, Lord of Light and Wisdom, all Zarathustra wanted from his priestly father, Porushaspa, as his share of property, was the sacred cord his father wore as a girdle.
In Samarkand, they built temples to the Iranian god Ahura Mazda and others, and they portrayed Zoroastrian ceremonies on the walls of their houses.
It was through these qualities, known as Amesha Spentas, that Ahura Mazda was believed to make his presence known to man.
The titles are a measure of the rarity that is going to be on display -- Martial Music of the Indian Army, Homage Unto Ahura Mazda ( Parsi prayer records), Dulal Roy's santoor recital, Lata Mangeshkar's first concert abroad ( 1974), as also all- time favourite Bollywood numbers from an era when the Hindi film industry didn't have a fancy nomenclature.