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Aime Cesaire |
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Césaire, Aimé
Born June 25, 1913, in Basse-Pointe, Martinique. Martinican writer. Writes in French. In the narrative poem Return to My Native Land (1939; complete edition, 1947), Césaire passionately defended the dignity of the oppressed black man, scattered throughout the world. During the 1940’s and 1950’s his work was greatly influenced by surrealism, which he perceived as a form of revolutionary art; the influence can be seen in the poetry collections Les Armes miraculeuses (1946) and Soleil cou-coupé (1948) and in the drama in verse Et les Chiens se taisaient (1956). In the poetry collection Ferrements (1960), Césaire abandoned surrealism. The main theme of this collection—the difficulties of the road to liberation—is also developed in the play The Tragedy of King Christophe (1963) and in the play A Season in the Congo (1966), which is devoted to P. Lumumba. REFERENCESJuin, H. Aimé Césaire, poète noir. Preface by Claude Roy. Paris [1956].Aimé Césaire. Introduction by L. Kesteloot. Paris [1966]. Aimé Césaire, écrivain martiniquais. Paris [1971]. Harris, R. E. L’Humanisme dans le théâtre d’Aimé Césaire. Ottawa, 1973. I. D. NIKIFOROVA Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | of West Indies of Barbados) present 20 papers from a colloquium convened to mark the 100th birthday of Senegalese poet, politician, and cultural theorist Leopold Sedar Senghor (1906-2001), who together with Afro-Martinican poet and politician Aime Cesaire (1913-2008) and French poet and politician Leon-Gontran Damas created and promoted the concept of Negritude, the assertion and valorization of distinctive African characteristics, values, and aesthetics. Many of the streets were named after prominent African leaders, Aime Cesaire and Leopold Senghor. It was Hitlerism long before Hitler, to borrow the phraseology from Aime Cesaire in his book, Discourse on Colonialism. |
Aime Cesaire |
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