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Akhmatova, Anna

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Akhmatova, Anna (än`nə əkhmä`təvə), pseud. of Anna Andreyevna Gorenko (əndrā`əvnə gôryĕng`kô), 1888–1966, Russian poet of the Acmeist Acmeists (ăk`mēĭsts), school of Russian poets started in 1912 by Sergei M.
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 school. Her brief lyrics, simply and musically written in the tradition of Pushkin, attained great popularity. Her themes were personal, emotional, and often ironic. Among her most popular volumes are Chiotki [the rosary] (1914) and Iva [the willow tree] (1940). She was married to the Acmeist poet Gumilev Gumilev, Nikolai Stepanovich (nyĭkəlī` styĭpä`nəvĭch g
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 until 1918. Akhmatova remained silent for two decades. She began publishing again at the outbreak of World War II, after which her writings regained popularity. A courageous critic of Stalinism with a large underground following, she was harshly denounced by the Soviet regime in 1946 and 1957 for "bourgeois decadence."

Bibliography

See her Selected Poems (tr. 1969), Poems of Akhmatova (tr. 1973), and The Complete Poems of Anna Akhmatova (1990, in Russian and English translation); her autobiographical writings in My Half Century: Selected Prose (1992), ed. by R. Meyer; biographies by A. Haight (1976, repr. 1990), R. Reeder (1995) and E. Feinstein (2006); study by S. N. Driver (1972).


Akhmatova, Anna

 orig. Anna Andreyevna Gorenko

Enlarge picture
Anna Akhmatova.
(credit: Novosti Press Agency)
(born June 23, 1889, Bolshoy Fontan, near Odessa, Ukraine, Russian Empire—died March 5, 1966, Domodedovo, near Moscow) Russian poet. She won fame with her first poetry collections (1912, 1914). Soon after the Revolution of 1917, Soviet authorities condemned her work for what they perceived as its narrow preoccupation with love and God, and in 1923, after the execution of her former husband on conspiracy charges, she entered a long period of literary silence. After World War II she was again denounced and expelled from the Writers Union. Following Joseph Stalin's death in 1953, she was slowly rehabilitated. In her later years she became the influential centre of a circle of younger Russian poets. Her longest work, Poem Without a Hero, is regarded as one of the great poems of the 20th century. Regarded today as one of the greatest of all Russian poets, she is also admired for her translations of other poets' works and for her memoirs.



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