Amos Tutuola


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Amos Tutuola
Birthday
BirthplaceAbeokuta, Nigeria
Died
NationalityNigerian
Known for Author

Tutuola, Amos

 

Born June 1920 in Abeokuta. Nigerian writer.

Tutuola, who writes in English, is the author of The Palm-wine Drinkard (1952), My Life in the Bush of Ghosts (1954), Simbi and the Satyr of the Dark Jungle (1955; Russian translation, The Adventures of Simbi, 1968), and Feather Woman of the Jungle (1962; Russian translation, 1968). Tutuola’s works are based on oral legends and folklore motifs of the Yoruban people.

WORKS

Ajaiyi and His Inherited Poverty. London, 1967.

REFERENCES

Ivasheva, V. V. “Roman sovremennoi Nigerii.” In the collection Literatura stran Afriki. Moscow, 1964.
Ivasheva, V. V. Literatura stran Zapadnoi Afriki: Proza. Moscow, 1967.
Collins, H. R. Amos Tutuola. New York [1969].
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References in periodicals archive ?
The multiple identities of the two authors, Amos Tutuola (Palm-Wine Drinkard, 1952) and Ken Saro-Wiwa (Sozaboy: A Novel in Rotten English, 1985) influence their works, which can prove to be tricky for foreign translators, as will be seen in the case of Ken Saro-Wiwa and Amos Tutuola.
While working for the Nigerian Broadcasting Corporation, he composed his first novel, Things Fall Apart (1959), at a time when Nigerian prose fiction was represented solely by the fantastic folklore romances of Amos Tutuola and the popular stories of urban life of Cyprian Ekwensi.
of Northern Colorado) presents an anthology of literature by African writers, including myths and legends, early autobiographies written by African slaves, and works by well-known and new writers such as Amos Tutuola, Peter Abrahams, Camara Laye, James Ene Henshaw, Chinua Achebe, Miriama Ba, Bessie Head, Tayeb Salih, and Wole Soyinka.
The album would be released in 1981 as My Life in the Bush of Ghosts, a title borrowed from a novel by the Nigerian writer Amos Tutuola about a young man who wanders beyond the bounds of his village into the topographical and existential unknown.
Aluko and Flora Nwapa, Laurence devoted a chapter to each major writer: Wole Soyinka, John Pepper Clark, Chinua Achebe, Amos Tutuola and Cyprain Ekwensi.
I was very intimidated by that because it seemed more big-league than sitting in a library and tranquilly reading Wole Soyinka or Amos Tutuola or Kofi Awoonor or someone like that.
Amos Tutuola was another "African writer" who was despised by the English Lit establishment, the derision--and patronising--inflected on him by those better "educated" than him could squelch the creative impulse, The Palmwine Drinkard would have been his last offering at the literary shrine.
However, Skinner suggests that many novels, such as those by Flora Nwapa and of course Amos Tutuola, can be regarded as expansions of folktales, while the recognition of the intertextual can be the interpretive key for entire narratives.
I found myself thinking, Cheri Samba is the Amos Tutuola of African art - the stereotype that strikes back.