Anacreon

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Anacreon

(ənăk`rēən, –ŏn), c.570–c.485 B.C., Greek lyric poet, b. Teos in Ionia. He lived at Samos and at Athens, where his patron was Hipparchus. His poetry, graceful and elegant, celebrates the joys of wine and love. Little of his verse survives. Anacreontics, poems in the style of Anacreon, were written from Hellenistic to late Byzantine times.

Anacreon

 

Born about 570 B.C.; died about 487 B.C. Ancient Greek poet.

The basic motifs in Anacreon’s lyric poetry, of which only small fragments have been preserved, are sensual love, wine, and a carefree life. Poems of this style later became known as Anacreontic poems. A. S. Pushkin, L. A. Mei, and others translated Anacreon into Russian.

WORKS

[“Fragments.”] In Poetae melici graeci. Edited by D. Page. Oxford, 1962.
In Russian translation:
Anakreont: Pervoe polnoe sobr. ego soch. v perevodakh russkikh pisatelei. Edited by A. Tambovskii. St. Petersburg, [1896].
[“Fragmenty.”] In Grecheskaia epigramma.[Moscow, 1960.]

REFERENCE

Iarkho, V., and K. Polonskaia. Antichnaia lirika. Moscow, 1967.

Anacreon

(563–478 B.C.) Greek lyric poet who idealized the pleasures of love. [Gk. Lit.: Brewer Dictionary, 31]
See: Love

Anacreon

(563–478 B. C.) Greek lyric poet who praised the effects of wine. [Gk. Lit.: Brewer Dictionary, 31]
See: Wine

Anacreon

?572--?488 bc, Greek lyric poet, noted for his short songs celebrating love and wine
References in periodicals archive ?
32) The opening lines of Doody's song, however, are much closer to the line of the Monkees than to Anacreontea 33, of which the relevant lines read as follows:
The author agrees with modern editors of the Anacreontea that, although Etienne claimed to have used two manuscripts for his edition (with a partial Latin translation and commentary) there is no evidence of a second manuscript.
Segun la estudiosa, que se da a la tarea de traducir del ingles al espanol versos de la Anacreontea para rastrear y comparar temas y motivos entre las fuentes y sus versiones dieciochescas, lo que aparenta ser, en la poesia, un juego frivolo y de poca importancia en realidad se torna indispensable para entender la perspectiva de la epoca en torno a la construccion de la identidad.