Andokides


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Andokides

 

potter and possibly vase painter who lived during the second half of the sixth century B.C.

Andocides worked in Athens, and his name is connected with the transition from the black-figure to the red-figure technique of vase painting. Among the vases which have been preserved are black-figure vases, such as the amphora from Andocides’ workshop entitled Heracles and Cerberus, located in the Pushkin Museum of Fine Arts, Moscow, and red-figure vases, such as the amphora with a citharist, in the Louvre, Paris. There are also several vases executed in both techniques, such as the amphora entitled The Feasting Heracles, in the Museum of Classical Minor Art, Munich, and a kylix in the National Museum, Palermo.

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References in periodicals archive ?
That Kleonymos proposed a reward of one thousand drachmas for information about the desecration of the Hermai and the profanation of the Mysteries (Katz 1976:375), is neither mentioned nor implied in Birds, but is information derived from Andokides, On the mysteries 27.
Simpson 2002, on a bilingual vase by Andokides (Munich 2301).
The Andokides Painter and Greek Carpentry," in Essays in Honor of Dietrich von Bothmer, ed.
A rare depiction comes from a late Archaic red-figure amphora by the Andokides Painter (Figure 2).
92) In that year the whole issue of the profaning of the mysteries in 416 was reopened by the trial of Andokides and led to a frenzy of religious enthusiasm and persecution, an atmosphere conducive to the eventual accusation and trial of Socrates later that year.
Kendrick Prichett, The Attic Stelai i (in Hesperia 22, 1953) 255-99' (Macdowell, Andokides on the Mysteries [Oxford, 1960], p.
Andokides also claims that the Athenians deposited "7,000 talents of coined money" into Athena's treasury, though here he is not necessarily thinking solely of tribute.
Schroff, Zur Echtheitsfrage der vierten Rede des Andokides (Erlangen, 1901).
Two details reveal the influence of the red-figure style on the London hydria: the ubiquitous wavy lines for vertical and diagonal drapery folds, and the long, tapering left fingers of Herakles with turned-up tips characteristic of an early red-figure artist like the Andokides Painter.
47 and great-uncle of Andokides -- though this man would probably have been at least 75 years old in 422/1 when Eupolis' Marikas was produced.
Missiou, The Subversive Oratory of Andokides (Cambridge, 1992), p.
GREEK TEXT OMITTED] 'fugitive', that Andokides applies to Amorges, semantically corresponds to what is denoted by