Andrea del Sarto


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Sarto, Andrea del

(ändrĕ`ä dĕl sär`tō), 1486–1531, Florentine painter of the High Renaissance. He painted chiefly religious subjects. In 1509 he was commissioned by the Servites to decorate their Cloisters of the Annunziata in Florence. His five frescoes there, illustrating the life of St. Philip, won him the title "the faultless painter." Also in this court are Nativity of the Virgin, Procession of the Magi, and a lunette, Madonna del Sacco. His notable scenes from the life of St. John the Baptist in monotone are in the Cloisters of the Scalzo, Florence, and the Last Supper is in the refectory of the Convent of San Salvi. His oils include two Annunciations, Deposition from the Cross, two Assumptions, Madonna in Glory (Pitti Palace, Florence); Madonna of the Harpies (Uffizi); Holy Family and Charity (Louvre); Holy Family (Metropolitan Mus.); Madonna and Child with St. John (National Gall. of Art, Washington, D.C.); and others in London and Madrid. His paintings consistently exemplify the High Renaissance ideal. Because of the extreme subtlety of his technique, his works tend not to reproduce well in photographs. Toward the end of his career, his representations tended toward mannerismmannerism,
a style in art and architecture (c.1520–1600), originating in Italy as a reaction against the equilibrium of form and proportions characteristic of the High Renaissance.
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. He was the teacher of the great mannerist PontormoPontormo, Jacopo da
, 1494–1556, Florentine painter, one of the creators of mannerism. His real name was Jacopo Carrucci. He studied with Andrea del Sarto, Leonardo da Vinci, Mariotto Albertinelli, and Piero di Cosimo.
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.

Bibliography

See studies by S. J. Freedberg (2 vol., 1963) and J. Shearman (2 vol., 1965).


Andrea del Sarto:

see Sarto, Andrea delSarto, Andrea del
, 1486–1531, Florentine painter of the High Renaissance. He painted chiefly religious subjects. In 1509 he was commissioned by the Servites to decorate their Cloisters of the Annunziata in Florence. His five frescoes there, illustrating the life of St.
..... Click the link for more information.
.

Andrea del Sarto

 

(real name, Andrea del d’Agnolo). Born July 16, 1486, in Florence; died there Sept. 28 (or 29), 1530. Italian painter.

Andrea del Sarto studied under Piero di Cosimo and was influenced by Leonardo da Vinci, Fra Bartolommeo, and Michelangelo. In 1518–19 he painted in Paris. His works in Florence include frescoes for the cloister of the Church of Santissima Annunziata (1510–15), for the Scalzi Monastery (1515–26), and the San Salvi Monastery (late 1520’s). Other works by Andrea are Madonna of the Harpies (1517, Uffizi Gallery, Florence), Madonna and Child With St. Catherine, St. Elizabeth, and John the Baptist (1519, Hermitage, Leningrad) and Portrait of a Sculptor (National Gallery, London).

Andrea’s paintings are marked by clearly spaced composition based on a complex balancing of spatial elements. In many respects, the gentle, poetic spirituality of Andrea’s works was derived from chiaroscuro that united bright and lush fields of color. At the same time, his paintings are distinguished by a certain abstract quality in the rendering of figures and by a tendency to dogmatize the artistic principles of the High Renaissance.

REFERENCES

Eliasberg, N. E. Andrea del’ Sarto. [Moscow, 1973.]
Shearman, J. Andrea del Sarto, vols. 1–2. Oxford, 1965.

del Sarto, Andrea

cuckolded Florentine painter; protagonist of Browning’s poem. [Art Hist.: Walsh Modern, 19–20; Br. Lit.: “Andrea del Sarto” in Norton, 778–783]
References in periodicals archive ?
Lamentation over the Dead Christ, 1523-24, Andrea del Sarto (1486-1530), oil on panel, 238.
16) Paola Evangelista, "Caratterizzazione e valore funzionale del personaggio di Lucrezia in Andrea del Sarto di Robert Browning," Rivista di Studi Vittoriani 2, no.
There the young Andrea del Sarto co-opted contributions on Marian themes from the neophytes Pontormo and Rosso.
Celebrar las copias por su capacidad de engano se convirtio en un topos recurrente a lo largo del siglo XVII, originado por una anecdota de Vasari sobre la replica hecha por Andrea del Sarto del retrato de Rafael de Leon X y sus sobrinos.
The top three prices at Christie's up to now were: The Risen Christ by Michelangelo (pounds 8,143,750, then a world record), Leonardo da Vinci's Horse and Rider (exact same price a year later) and Head of St Joseph by Andrea del Sarto (pounds 6,504,000).
Based loosely on the life of the sixteenth-century Florentine painter, Andrea del Sarto, the play tells three stories.
Perhaps the most promising candidate for this treatment is Andrea del Sarto, to whom I now turn.
Instead, Ottaviano secretly had Andrea del Sarto make a copy; it was sent in August of 1525 to Mantua.
Brockhurst studied the works of Botticelli, Pierro della Francesca, Leonardo da Vinci, Andrea del Sarto, Michelangelo and Bronzino.
His repertoire of over 80 works also comprised the works of Donizetti, Verdi and Puccini, as well as many personal favorites such as Tchaikovsky's Lensky (Yevgeny Onegin) and Gluck's Pylades in Iphigenie en Tauride (opposite both Regine Crespin and Rita Gorr), and several contemporary works such as Lesur's Andrea del Sarto, which he created.
Elizabeth took off her corsets in the heat and slyly returned the waiters' smiles in between sips of Chianti, while Robert (who had earlier detested Florence) was inspired to write his fine poem Andrea del Sarto.
The work is written as a dramatic monologue delivered by the painter Andrea del Sarto (1486-1531) to his beloved and unfaithful wife, Lucrezia.