Andrew Marvell


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Marvell, Andrew

(mär`vəl), 1621–78, one of the English metaphysical poetsmetaphysical poets,
name given to a group of English lyric poets of the 17th cent. The term was first used by Samuel Johnson (1744). The hallmark of their poetry is the metaphysical conceit (a figure of speech that employs unusual and paradoxical images), a reliance on
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. Educated at Cambridge, he worked as a clerk, traveled abroad, and returned to serve as tutor to Lord Fairfax's daughter in Yorkshire. In 1657 he was appointed John Milton's assistant in the Latin secretaryship, and in 1659 he was elected to Parliament, where he served until his death. He was one of the chief wits and satirists of his time as well as being a Puritan and a public defender of individual liberty. Today, however, he is known chiefly for his brilliant lyric poetry, which includes "The Garden," "The Definition of Love," "Bermudas," and "To His Coy Mistress," and for his "Horatian Ode" to Cromwell.

Bibliography

See his poems and letters edited by H. M. Margoliouth (2d ed. 1952); biographies by V. Sackville-West (1929, repr. 1971), J. D. Hunt (1978), N. Murray (2000), and N. Smith (2011); studies by H. E. Toliver (1965), P. Legouis (rev. ed. 1966), J. M. Wallace (1969), D. M. Friedman (1970), R. L. Colie (1971), K. Friedenreich, ed. (1977), E. S. Donno, ed. (1978).

Marvell, Andrew

 

Born Mar. 31, 1621, in Winestead, Yorkshire; died Aug. 16, 1678, in London. English poet.

During the English civil war, Marvell was a supporter of O. Cromwell. He was a friend and admirer of J. Milton. Initially influenced by the metaphysical school, Marvell later became one of the best English lyric poets. He eventually adopted the classical style. The poet’s republican odes and caustic satires attacking Charles II and his ministers during the Restoration are particularly well known.

WORKS

Complete Works, vols. 1-4. 1872-75.
Poems and Letters, vols. 1-2. Oxford, 1952.
The Poems. London [1963].

REFERENCES

Istoriia angliiskoi literatury, vol. 1, issue 2. Moscow, 1945. Pages 171-73.
Eliot, T. S. “Andrew Marvell.” In Selected Essays, 3rd ed. London, 1958.
Marvell: Modern Judgements. Edited by M. Wilding [London, 1969]. (Bibliography on pp. 285-88.)
Andrew Marvell: A Critical Anthology. Harmondsworth [1969]. (Bibliography on pp. 329-30.)
References in periodicals archive ?
Politics and Religion in the Work of Andrew Marvell.
The news of this death evidently provoked mourning beyond his family and their circle, because some (Marchamont Nedham, Andrew Marvell, and a group of Westminster schoolboys including the young John Dryden) sent in poems of condolence that were included in a postscript to the volume.
This is Andrew Marvell resorting to the new astronomy and geography to define the absolute hopelessness of his situation.
If, in 1658, you had been a spectator of the funeral procession of Oliver Cromwell--strictly speaking a memorial procession, the body having been buried two months previously--you could have seen, in the space of a few seconds, John Milton, Andrew Marvell, and John Dryden walking past.
The Poet's Time: Politics and Religion in the Work of Andrew Marvell.
This was the famous Andrew Marvell, who was representative of the town of Kingston upon Hull.
This is a slightly modified version of a line by Andrew Marvell, the 17th century English poet, apparently written to try to convince his girlfriend to go to bed with him.
In the various arts came Thomas Chippendale, J Arthur Rank, JB Priestley, Alan Bennett, Charles Laughton, Andrew Marvell, Ted Hughes, David Hckney, Henry Moore, Frederick Delius and John Barry.
After a grand funeral, attended by his friends and fellow poetry greats Andrew Marvell and John Dryden, Milton was buried next to his father (acomposer and stockbrok er) in St Giles churchyard,Cripplegate.
Elwyn Toozer scored a fine 101 in the Barry Wanderers' total of 205 for five but Andrew Marvell replied with 91 for Bridgend IV and with James Townley (46 not out) saw his side home by seven wickets.
This gives Lodge the opportunity to deliver a lecture on the 17th-century poet Andrew Marvell.
Old-master painting breathed through this show, but I also remembered the seventeenth-century poet Andrew Marvell, and the time he imagined devoting to a lover's body: An hundred years should go to praise / Thine eyes, and on thy forehead gaze.