Anima


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anima

[′an·ə·mə]
(psychology)
In analytic psychology, a person's inner being as opposed to the persona presented to a world.

Anima (and Animus)

(dreams)

In Jungian psychology, the anima refers to personality traits regarded as feminine that are often repressed into the unconscious of males while the animus refers to traits regarded as masculine that are often repressed into the unconscious of females. In Carl Jung‘s personality theory, the ego represents the individual’s sense of personal self. The sense of personal identity is purchased, however, at the expense of certain tendencies (for example, socially undesirable traits) that are rejected as “not-self.” According to Jung, these rejected traits come together as a kind of unconscious “counter-ego,” which he termed the shadow. The anima/animus is similar to the shadow, but, because the rejected traits together constitute a socially typical female or male, they are more often than not distinct from the shadow. For example, when the shadow appears in a male’s dreams, it is most often represented by a male figure. The anima, in contrast, is most often a female figure.

Although suppressed from conscious awareness, the anima/animus influences our behavior in powerful ways. In most individuals, for example, it is projected onto people of the opposite sex and accounts for the experience of falling in love with someone we hardly know. In Jungian therapy, the anima/animus is viewed as a potential source of characteristics to be integrated into the patient’s ego structure. As the unconscious pole of the self, the counter-ego represented by the anima/animus can also be a guide to one’s own unconscious realm. It is often experienced as the guiding female or male presence in dreams.

References in periodicals archive ?
The unveiling of Anima Terra coincides with the opening of the striking new Modern Wing at the Institute, a 264,000 square foot facility designed by Priztker Prize-winning architect, Renzo Piano.
213), he moves on to a discussion of their polyphonic settings in the fifteenth and sixteenth centuries, before arriving at Cavalieri's settings, whose "musical value and historical significance are hardly less" than that of the more famous Anima e corpo (p.
A number of statements in de Anima can be taken to confirm such an interpretation.
If contextualized within Jungian theoretics, the egg becomes even more significant as an objective representation of George's anima.
While Ali Hassan, who for more than 25 years used the 28 letters of the Arabic alphabet in his artworks, said the establishment of Anima adds another leaf to the Golden Chapter of Art the country is writing for the past few years.
But later, the hospital authorities presented Anima a bill of Rs 100,000 that she was not able to pay.
Yet Anima is not just about the undoubted skills of the two performers but the superb settings including atmospheric lighting by Phil Saunders, and an eerie score from Vergil Sharkya.
James performed in three of the groups, Stupid Like You, Anima and Kirklees MCz.
Kirkendale discusses Cavalieri's surviving compositions--the Lamentations of Jeremiah, other responsories, and the Anima e corpo--in some detail, and examines closely the evidence for Cavalieri's lost pastorales, which he identifies as the earliest works that might bear the term opera.
He told the trainer afterwards that he was concerned he might have had Anima Mundi too far back, but the filly picked up well for him and beat Turibius just a shade cosily by half a length.
A satisfactory exegesis of Aristotle's philosophy of soul must pay close attention to De Anima 2.
When we live wrapped up around our own egos and their pathetic fears and aspirations, we inhabit the narrow space of the pusilla anirna (the little soul), but when we forget our awful seriousness, when we live in a risky freedom, when we leap ecstatically beyond what we can know and control, we inhabit the infinite expanse of the magna anima (the great soul).