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Antinovel

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antinovel or new novel: see French literature French literature, writings in medieval French dialects and standard modern French. Writings in Provençal and Breton are considered separately, as are works in French produced abroad (as at Canadian literature, French).
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; Robbe-Grillet, Alain Robbe-Grillet, Alain , 1922–, French novelist and filmmaker, b. Brest. Robbe-Grillet is considered the originator of the French nouveau roman [new novel], in which story is subordinated to structure and the significance of objects is stressed above that
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antinovel

Type of avant-garde novel that departs from traditional novelistic conventions by ignoring such elements as plot, dialogue, and human interest. Seeking to overcome readers' habits and challenge their expectations, antinovelists deliberately avoid any intrusion of authorial personality, preferences, or values. Though the term was coined by Jean-Paul Sartre in 1948, the approach is at least as old as the works of the 18th-century writer Laurence Sterne. Writers of such works include Nathalie Sarraute, Claude Simon, Alain Robbe-Grillet, Uwe Johnson, and Rayner Heppenstall.


antinovel
a type of prose fiction in which conventional or traditional novelistic elements are rejected

Antinovel 

an accepted concept used along with the term “new novel” to characterize certain genres in the prose of modernism. The “antinovel” is to be found primarily among French writers of the late 1940’s and 1950’s—for example, S. Beckett, A. Robbe-Grillet, N. Sar-raute, and M. Butor. Having declared a break with the realistic novel in its classical forms (hence the term “anti-novel”), the representatives of the “new novel” also rejected the developed plot, the hero with an integral inner world and character, and the portrayal of any coherent picture of social struggle.

G. K. KOSIKOV



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It was Frank Kermode's suggestion that Snow was writing a kind of antinovel in reaction against the experimental fiction of pure form.
A good example of the consistent antinovel is Joyce's Ulysses.
Notwithstanding the unity lent by Nick Adams, In Our Time, to the extent that it concerns war, is not so much a novel as an antinovel, a work, in other words, that defies the narrative conventions established by "the great tradition" The anti-novel, as defined by A Handbook to Literature (4th edn.
 
 
 
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