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Artaud, Antonin
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Artaud, Antonin (äNtônăN` ärtō`), 1896–1948, French poet, actor, and director. During the 1920s and 30s he was associated with various experimental theater groups in Paris, and he cofounded the Théâtre Alfred Jarry. Artaud's theories of drama, particularly his concept of the "theater of cruelty," greatly influenced 20th-century theater. He related theater to the plague because both destroy the veneer of civilization, revealing the ugly realities beneath and returning humanity to a primitive state, in which it lacks morality and reason. The aim of the "theater of cruelty" was to disturb the audience and reveal the forces of nature. To achieve this end he emphasized the nonverbal aspects of theater such as color and movement and stressed the importance of violence as a theatrical device. Artaud's most important work is Le Théâtre et son double (1938, tr. 1958). His influence can be seen in the works of Jean Genet Genet, Jean , 1910–86, French dramatist. Deserted by his parents as an infant, Genet spent much of his early life in reformatories and prisons. Between 1940 and 1948 he wrote several autobiographical prose narratives dealing with homosexuality and crime,
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, Fernando Arrabal Arrabal, Fernando , 1932–, French playwright, b. Melilla, Morocco. He studied law in Madrid before moving to Paris in 1954. His plays, which reflect his abhorrence of political repression, bourgeois complacency, and war, are often abstract and savagely ironic,
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, Peter Weiss Weiss, Peter , 1916–82, German-Swedish dramatist, novelist, film director, and painter. Weiss's early novels Abschied von den Eltern (1961; tr. Leavetaking, 1962) and Fluchtpunkt (1962; tr.
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, Peter Brook Brook, Peter, 1925–, English theatrical director, b. London. An innovative, unconventional, and controversial figure, Brook mounts energetic productions in which the entire stage is utilized and realistic sets are banished in favor of bold, abstract, and
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, and Julian Beck Beck, Julian, 1925–85, American theatrical director, actor, and producer, b. New York City. He married

Judith Malina, 1926–, also an American theatrical director, actor, and producer, b. Germany.
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 and Judith Malina. Artaud was afflicted with mental illness from his childhood, and in 1936 he was declared insane; he spent much of the rest of his life in mental institutions.

Bibliography

See his Selected Writings ed. by S. Sontag (1971); B. L. Knapp, Antonin Artaud: Man of Vision (1980); J. Derrida and P. Thevenin, Antoine Artaud: Drawings and Portraits (1990).


Artaud, Antonin

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Artaud, 1948
(credit: Denise Colomb-J.P. Ziolo)
(born Sept. 4, 1896, Marseille, France—died March 4, 1948, Ivry-sur-Seine) French poet, actor, and drama theorist. He wrote Surrealist poetry from 1925 and made his acting debut in Surrealist productions in Paris. He described his theory of drama in the Manifesto of the Theatre of Cruelty (1932; see Theatre of Cruelty) and The Theatre and Its Double (1938). His own plays (including Les Cenci, 1935) were failures, but his theories exerted great influence on playwrights of the Theatre of the Absurd. Lifelong mental illness confined him periodically to asylums from 1936.



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Situating us in the realm of difference, in the gap, we are now exposed to the open system, an idea best articulated by Antonin Artaud in his play To Have Done with the Judgement of God (1947): "What makes it serious/is that we know/that after the order/of this world/there is another.
JJ) Antonin Artaud - Self-Portrait (1946), Portrait of Jany de Ruy (1947) Better known for his Theatre of Cruelty manifestos and a lifetime's poetic railing against the evil spirits of mediocrity, Artaud, at the very end of his life, created some of the most incisive portrait drawings of the 20th century.
At an institution like the Modern, however, you might walk in and find an Antonin Artaud show of drawings.
 
 
 
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