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Apelles

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Apelles (əpĕl`ēz), fl. 330 B.C., Greek painter, the most celebrated in antiquity but now known only through descriptions of his works. He is thought to have studied under Ephorus of Ephesus and under Pamphilus of Amphipolis at Sicyon. He was court painter to Philip II of Macedon and to Alexander the Great. His portraits of Alexander included one in the Temple of Diana at Ephesus that showed Alexander wielding the thunderbolts of Zeus. Apelles excelled in painting horses, and according to Pliny the portrait of Antigonus Cyclops on horseback was his masterpiece. Most famous, perhaps, was the painting of Aphrodite rising from the sea. A painting made by Botticelli from Alberti's description of Apelles' Calumny is in the Uffizi. Apelles is said to have been the first to recognize the talents of Protogenes Protogenes (prōtŏj`ənēz), fl. c.300 B.C., one of the most celebrated Greek painters of Rhodes and Athens.
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. He also influenced Mantegna Mantegna, Andrea (ändrĕ`ä mäntĕ`nyä), 1431–1506, Italian painter of the Paduan school.
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 and Titian Titian (tĭsh`ən), c.1490–1576, Venetian painter, whose name was Tiziano Vecellio, b. Pieve di Cadore in the Dolomites.
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Apelles

(flourished late 4th century–early 3rd century BC) Greek painter. He studied under Pamphilus and was court painter to Philip II of Macedonia and his son, Alexander the Great. Notable works included a portrait of Alexander, an allegorical picture of Calumny, and a painting of Aphrodite rising from the sea. A master of composition and chiaroscuro, he was noted for his technical improvements; he used a dark glaze to preserve his paintings and soften their colour. Though no copies of his works survive, in antiquity he was considered the greatest of Greek painters.


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A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent.
Dius by Pycimede, the daughter of Apollo had two sons Hesiod and Perses; while Apelles begot Maeon who was the father of Homer by a daughter of the River Meles.
But why should I attempt to depict and describe in detail, and feature by feature, the beauty of the peerless Dulcinea, the burden being one worthy of other shoulders than mine, an enterprise wherein the pencils of Parrhasius, Timantes, and Apelles, and the graver of Lysippus ought to be employed, to paint it in pictures and carve it in marble and bronze, and Ciceronian and Demosthenian eloquence to sound its praises?
 
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