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Behn, Aphra
(redirected from Aphra Behn)

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Behn, Aphra (ăf`rə bān, bēn), 1640–89, first professional female English author. Little is known of her early life, but there is evidence that c.1658 she married a London merchant of Dutch descent named Behn. After the death of her husband, Aphra Behn became an English spy in the Dutch Wars (1665–67), adopting the pseudonym Astrea, under which she later published much of her verse. Her career as a secret agent was unsuccessful, and she returned to England exhausted and penniless, forced even to serve time in debtors' prison. By 1670 her first play had been performed, and by 1677 she gained her much desired fame with the eminently successful production of The Rover. All her plays are noted for their broad, bawdy humor. Despite her success as a playwright, however, her best literary achievement can be found in her novels. The most notable of these is Oroonoko (1688), a heroical love story, the first philosophical novel in English. Aphra Behn was famous for her lifestyle as well as her works; her denial of woman's subservience to man and her high-living, bohemian existence has led critics to describe her as the George Sand of the Restoration and a forerunner of the feminist movement. Her literary reputation declined rapidly in the 18th cent., but Montague Summers's collected edition of her work (6 vol., 1915) revived an interest in her.

Bibliography

See biography by F. M. Link (1968); A. Goreau, Reconstructing Aphra: A Social History of Aphra Behn (1980).


Behn, Aphra

(born July 1640, Harbledown?, Kent, Eng.—died April 16, 1689, London) English dramatist, novelist, and poet, the first Englishwoman known to earn her living by writing. Her early life is obscure (as is her original surname), but she spent most of it in South America. She married a merchant named Behn in 1658; he died in the mid 1660s. Her novel Oroonoko (1688), the story of an enslaved African prince whom Behn knew in South America, influenced the development of the English novel. Her first play, The Forc'd Marriage, was produced in 1671; her later witty comedies, such as the two-part The Rover (1677, 1681), were highly successful, and toward the end of her life she wrote many popular novels.



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Poets discussed include Emily Bronte, George Eliot, Aphra Behn, Emily Dickinson, Edna St.
The final section of the book, "Renegotiating the Rhetoric of Abusive Sexuality" explores the ways in which the rhetoric of abuse was used in texts to support either the Stuart monarchy or the Interregnum by examining notable texts written by Margaret Cavendish, John Dryden, and Aphra Behn.
Virginia Woolf, he asserts, may have felt a certain amount of hostility towards Aphra Behn as a person simply because Vita Sackville-West admired Behn as a sort of sexual free spirit.
 
 
 
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