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Arachne is punished for her transgression by being turned into a spider, while Mary becomes an object of devotion, but Rossetti's scene of education in The Girlhood of Mary Virgin implicitly compares the two women and their subversive artistic productions.
Pallas Athena is disguised as an old woman sitting on the left, only her knee revealing her true age, and Arachne is the young woman sitting with her back to the spectators on the right.
In addition, the magic of storytelling both arises from and gives rise to "the autogenerative nature of fictions, indeed of language itself" (Faris 164), which manifests itself through the Arachne recitation in a number of ways.
Circling around this is Arachne and the three Fates; standing next to her, Juno, who decorates her beloved peacock with the eyes taken from Argus.
In Moonwise, "Ariane" evokes a complex of ideas: Ariadne, with her labyrinth and clew; Arachne, the weaver turned to a spider; and Arianrhod of the Silver Wheel, the Spiral Castle where the dead go, in among the mazy stars; as well as "arain," which is Yorkshire dialect for "spider.
Shakespeare's King Lear figures strongly in the plot, as does the Greek myth of Athena and Arachne.
The cast will include actors filling the roles of Parker, love-interest Mary Jane, spiderwoman Arachne, villain The Green Goblin and Daily Bugle publisher J.
Verder is daar in die mitologie 'n verskeidenheid vrouefigure soos Ariadne, Penelope, Philomela, Athena en Arachne wat elk op haar eie manier die handeling van spin in verband bring met vrouwees.
To further delineate Velazquez's interest in the inherently antagonistic relation between artistic expression and institutional power, I extend my inquiry to his Fable of Arachne, a painting that could have served Foucault's aesthetic and epistemological purposes well, and to a text from Ovid's Metamorphoses, in which this painting is firmly rooted.
Boucher was well acquainted, probably in a French version, with the Sixth Book of the Metamorphoses, in which Minerva and her competitor Arachne both weave tapestries that maliciously record the deceits and misdeeds of Minerva's fellow deities and the caprices of Cupid, which Sir John Suckling had earlier lamented:
In Greek mythology, skilled Arachne challenged Athena, the goddess of wisdom and patron of the loom, to a contest.
Petrarch's desperate attempt to complete his work is the same hopeless challenge that the mythical Arachne dared to make to Minerva.