Arnold Boecklin

Boecklin, Arnold


Born Oct. 16, 1827, in Basel, Switzerland; died Jan. 16, 1901, in San Domenico di Fiesole, Italy. Swiss painter.

Boecklin studied in Düsseldorf (1845–47) and worked in Basel, Munich, and Italy. Wishing to avoid depicting reality, he created an imaginary world in his pictures, often purposely mysterious. At first, he painted romantic landscapes with mythological figures; later, fantastic scenes with nymphs, sea monsters, and so on (Triton and Nereid, 1873–74). His later compositions (Island of the Dead, 1880, Museum of Art in Basel), in which artificial symbolism was combined with naturalistically authentic details, had an influence on German symbolism and Jugendstil. Boecklin’s pictures are painted in bright, harsh colors, mainly with tempera.


Schmidt, G. Boecklin heute. Basel, 1951.
References in periodicals archive ?
There he came under the influence of the painter Arnold Boecklin whose fantasy world included mysterious islands painted in the most violent colors and many of whose canvases inspired musical creations, especially those of composer Sergei Rachmaninoff.
For example, I might ask my students to look at the painting The Isle of the Dead by Arnold Boecklin and simultaneously listen to the musical piece of the same name by Rachmaninoff.
The skeleton had acted in earlier self-portraits by German painters such as Hans Thoma or Arnold Boecklin as the inspiring figure of death.
The four principals are portfolio managers Jay Leu and Jim Tovey; currency trader and portfolio manager Joe Foster; and marketer Arnold Boecklin.