Art Tatum

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Tatum, Art

(tā`təm), 1910–56, American jazz pianist, b. Toledo, Ohio. Born with cataracts in both eyes, Tatum remained virtually blind for life. He read music in Braille, but his sensitive ear for music made reading almost unnecessary. Tatum, an unmatched piano virtuoso and brilliant improviser, developed a style characterized by complex musical embroidery, such as rapid runs and shifting rhythms.

Tatum, (Arthur) Art

(1909–56) jazz musician; born in Toledo, Ohio. Near-blind from birth, he was established as a jazz pianist in New York by 1932 and worked mainly as a soloist thereafter. He was a keyboard virtuoso whose overwhelming technique and harmonic imagination strongly influenced jazz pianists and the bebop style of the following generation.
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Josephson is a noted jazz expert and former editor of the Daily News Record, and he has included interviews he has conducted over several decades with such musicians as Dizzy Gillespie, Dave Brubeck, Maynard Ferguson and Art Tatum.
His speed and articulacy suggest a diet of Art Tatum and Oscar Peterson, but we can also invoke the names of Fats Waller and Keith Jarrett.
He quickly made a name for himself as a jazz virtuoso, often earning comparisons to jazz piano great Art Tatum, his childhood idol, for his speed and technical skill.
Encores have included Elton John, Billy Joel, Art Tatum, Alexina Louie, Oscar Peterson and The Simpsons theme.
As a teenager, he was influenced by Art Tatum, Thelonious Monk and Bud Powell and played with the latter as a 16-year-old when Powell visited his home.
He began searching out other jazz pianists, among them Tommy Flanagan, Hank Jones, Wynton Kelly, Jimmy Rowles, Horace Silver, Mike Wofford and Art Tatum.
THE Sagitta 2,000 Guineas favourite Hold That Tiger shares his name with the signature tune of the 1930s jazz pianist Art Tatum.
Lee is a self-taught musician much influenced by the likes of Erroll Garner, Oscar Peterson and Art Tatum and during the course of the evening there was strong evidence to be heard of all three in his playing.
The music in this four-disc box begins in 1921 and spans 35 years, including the scene's indigenous artists as well as visiting all-stars (Louis Armstrong, Lester Young, Lionel Hampton, Charlie Parker, Nat King Cole, Charles Mingus, Art Tatum, Dexter Gordon) who favored the area.
You will hear Glenn Gould (1932-1982) perform excerpts from Bach's Goldberg Variations just as he did in 1955; Art Tatum (1909-1956) playing Too Marvelous for Words from a live 1955 party recording; and a 1926 performance of a Chopin prelude by French pianist Alfred Cortot (1877-1962).
For the first time in 50 years, hear it as Art Tatum actually played it -
So he is as keen to experiment with electronics as he is to bring an Art Tatum influence into this music.