Arthur Koestler

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Koestler, Arthur

(kĕst`lər), 1905–83, English writer, b. Budapest of Hungarian parents. Koestler spent his early years in Vienna and Palestine. He was an influential Communist journalist in Berlin in the early 1930s, traveled through the Soviet Union, and moved to Paris. Later, as a correspondent for a British newspaper, he was captured and imprisoned by Franco's forces during the Spanish Civil War; Spanish Testament (1937) and Dialogue with Death (1942) relate his experiences. Released in 1937, he edited an anti-Nazi and anti-Soviet French weekly and served in the French Foreign Legion (1939–40). After the German invasion he was interned in a concentration camp, but escaped from France in 1940 and lived thereafter in England and the United States, continuing to travel widely after the war. By 1940 Koestler had broken with Communism, largely as a result of the Soviet purge trials of the late 1930s and the Hitler-Stalin nonaggression pact of 1939. The anti-Communist Darkness at Noon (1941), his most important and best-selling novel, vividly describes the imprisonment, interrogation, and execution of an old Bolshevik in a Communist prison for his "deviationist" belief in the individual. Koestler's other significant accounts of the evils of Stalinism include The Yogi and the Commissar (1945), and the essay he contributed to The God That Failed (ed. by R. H. Crossman, 1951).

Koestler's later writings ranged over a wide variety of subjects. His later novels include Thieves in the Night (1946), a powerful description of the conflict between Arabs and Jews in Palestine, The Age of Longing (1951), and The Call Girls: A Tragicomedy (1973). He wrote extensively on science in such works as The Lotus and the Robot (1960), The Act of Creation (1964), The Ghost in the Machine (1968), The Case of the Midwife Toad (1971), and The Roots of Coincidence (1972). Greatly concerned in later life with euthanasia and the right to die, an ailing Koestler and his healthy wife committed joint suicide in 1983. The author of more than 30 books and hundreds of articles, Koestler combined a brilliant journalistic style with an understanding of the great movements of his times and a participant's sense of commitment.


See his autobiographies, Scum of the Earth (1941), Arrow in the Blue (1952), The Invisible Writing (1954), and Janus: A Summing Up (1978); biographies by I. Hamilton (1982), D. Cesarani (1999), and M. Scammell (2009); studies by W. Mays (1973), S. Pearson (1978), and P. J. Keane (1980).

Koestler, Arthur


Born Sept. 5, 1905, in Budapest. English writer and philosopher. Son of an industrialist.

Koestler graduated from the University of Vienna (1926) with a major in psychology. He is the author of several publicistic satirical novels, including Darkness at Noon (1940), Arrival and Departure (1943), and Thieves in the Night (1946), which have been used as anticommunist propaganda. During the 1940’s and 1950’s, Koestler was a supporter of the “cold war.” In the late 1950’s he abandoned politics and has since then published a series of essays and studies on philosophy, biology, and the theory of biological systems, including The Sleepwalkers (1959), The Act of Creation (1965), and The Ghost in the Machine (1967); these works, using the theories of modern bourgeois philosophical anthropology, develop the idea of man as a “mistake of evolution.”


Drinkers of Infinity. London, 1968.
The Roots of Coincidence. London, 1972.


Glagoleva, E. “Psevdonauchnye rassuzhdeniia o prirode tvorchestva.” Kommunist, 1972, no. 12.
Potter, D. “The Ominous Beat of Koestler’s Ragged Black Wings.” The Times Saturday Review, Oct. 21, 1967.
Europäische Begegnung, October 1970, p. 37.


References in periodicals archive ?
El Apocalipsis domestico de Montpelier Square pinta a Arthur Koestler de cuerpo entero: la voragine que fue su vida y su propension hacia la disidencia.
Arthur Koestler -sobre cuya conducta personal ha habido hace poco un escandalo mayusculo: al parecer era un violador contumaz- se convirtio al paso de los anos, en compania de Alexander Solyenitzin y Arthur London, entre muchos otros, en un abanderado notable de ese anticomunismo que tuvo tantas caras o facetas como pueda imaginarse, debido a la fragmentacion de la izquierda mundial: desde los "renegados" como Koestler y London -la palabra "renegado", de origen estalinista, equivalia a "traidor"-, hasta los legitimos herederos de la mejor tradicion socialista, como el propio Victor Serge, no anticomunistas sino antiestalinistas.
Arthur Koestler once hinted that the man who gets what he's always wanted will probably plunge into a suicidal depression.
Y uno recuerda aquella novela, una de las grandes novelas politicas del siglo veinte, firmada por Arthur Koestler y que se llama Oscuridad al mediodia que narra como en las purgas stalinistas se le pide a un viejo y leal comunista que se declare culpable, sin serlo, como un ultimo servicio rendido al partido.
So is the updated version of Darwin, and so is Lamarck's explanation, which had at least one intellectually respectable defender in Arthur Koestler.
Cairncross's role in freeing journalist Arthur Koestler from Spain's fascist Franco regime is also mentioned in the files.
t think they are going to do that, but it is important to understand that the promise, whatever it said, was wrong because as the famous author Arthur Koestler said, it was one nation solemnly promising another nation the country of a third, ?
No es la obra sobre Kepler-Brahe que le viene a la mente a Villoro despues de leer Los sonambulos de Arthur Koestler, lo que dramaturgicamente le interesa, sino desentranar lo que podria pasar --existencialmente--entre los actores que la interpretasen.
While in prison for violence, Sykes spent his time passing an Open University degree in Physical Sciences and earning the Arthur Koestler prize for prison literature.
Arthur Koestler is another writer who encapsulates for me the ironies and duplicities associated with the advance of Communism in the 1930s and '40s and the conjuring abilities of the Soviet leader.
Little known outside certain intellectual circles in England before the war, Orwell became, along with Arthur Koestler, the outstanding popularizer of the perils of Soviet totalitarianism in the postwar years.