Arturo Toscanini


Also found in: Dictionary, Thesaurus, Wikipedia.
Related to Arturo Toscanini: Wilhelm Furtwangler

Toscanini, Arturo

(ärto͞o`rō tōskänē`nē), 1867–1957, Italian conductor, internationally recognized as one of the world's great conductors. He studied cello at the Parma Conservatory, from which he graduated in 1885. After performing as a cellist with various minor orchestras in Italy, he went to Rio de Janeiro in 1886 to play in the opera orchestra there. Substituting as conductor, he first demonstrated his ability to elicit electrifying performances from musicians, a sound that was lean, exciting, transparent, and accurate, and he was engaged for the rest of the season.

Toscanini returned to Italy the next season (1886–87), and there conducted the premieres of Leoncavallo's Pagliacci (1892) and Puccini's La Bohème (1896) and the Italian premiere of Wagner's Götterdämmerung (1895). In 1898, Toscanini was appointed chief conductor and artistic director at La Scala, Milan, where he presented many new operas and the Italian premieres of many others, including Wagner's Die Meistersinger (1898) and Siegfried (1899). Unlike previous La Scala conductors, he conceived of an opera as an organic entity, with costumes, sets, staging, and direction all contributing to the drama of the whole.

From 1908 to 1914 he conducted at the Metropolitan Opera, New York City, where he gave American premieres of Puccini's Girl of the Golden West (1910), Wolf-Ferrari's Le donne curiose (1912), and other works. Toscanini returned to Italy during World War I. With the reorganized La Scala Orchestra he toured (1920–21) Europe and the United States and was artistic director of La Scala from 1921 to 1929. After 1931, the antifascist conductor refused to perform in Mussolini's Italy; he also refused to appear in Hitler's Germany. He conducted the New York Philharmonic from 1928 to 1936 and the NBC Symphony Orchestra, which was formed for him, from 1937. His other important engagements included the Bayreuth Festivals (1930, 1931), of which he was the first non-German conductor, the Salzburg Festivals (1934–36), and the Lucerne Festivals (1937–39). In 1936 he conducted the inaugural concert of the Palestine Symphony Orchestra in Tel Aviv. In 1954 he retired as conductor of the NBC Symphony Orchestra.

Toscanini commanded perfection from his orchestras and instilled them with remarkable energy. A tempestuous personality, he was nevertheless greatly respected by performers and was widely emulated by conductors. His artistry is preserved in recordings, notably of the symphonies of Beethoven and works by Brahms, Wagner, Verdi, and many others.

Bibliography

See B. H. Haggin, Conversations with Toscanini (1959); letters ed. by H. Sachs (2002); biographies by H. H. Taubman (1950), S. Chotzinoff (1956), D. Ewen (rev. ed. 1960), B. H. Haggin (1967), and H. Sachs (1978 and 2017); studies by R. C. Marsh (1956) and P. C. Hughes (2d enl. ed. 1970), J. Horowitz (1987), and H. Sachs (1991).

Toscanini, Arturo

 

Born Mar. 25, 1867, in Parma; died Jan. 16, 1957, in New York. Italian conductor.

In 1885, Toscanini graduated from the Royal School of Music in Parma, where he studied the cello. He began his career as an orchestral musician. In 1886 he made his conducting debut in Rio de Janeiro, and from 1887 to 1898 he was an opera and symphony conductor in Italy. From 1898 to 1903, 1906 to 1908, and 1921 to 1929, Toscanini was principal conductor and music director at La Scala in Milan, and from 1908 to 1915 he conducted at the Metropolitan Opera in New York. He also made conducting tours throughout the world. In 1928, Toscanini moved to the USA, where he conducted the orchestra of the Metropolitan Opera, the New York Philharmonic (1926–36), and the NBC Symphony (1937–53), which was created expressly for him. In the 1930’s he directed music festivals at Bayreuth and Salzburg.

Toscanini was one of the greatest artists of his time and an outstanding opera and symphony conductor. He was blessed with an exceptional artistic temperament and musical memory, and his energy and spirit infected audiences and performers alike. Toscanini strove for absolute precision and insisted on total fidelity to the composer’s intentions. His repertoire included classical and romantic music as well as modern compositions; in 1942 he conducted the premiere of D. D. Shostakovich’s Symphony No. 7 (“Leningrad”).

REFERENCES

Zweig, S. Arturo Toskanini: Izbr, proizv, vol. 2. Moscow, 1956.
(Translated from German.) “Toskanini.” In Ispolnitel’skoe iskusstvo zarubezhnykh stran, fasc. 6. Moscow, 1971.
Iskusstvo Arturo Toskanini: Vospominaniia, biograficheskie materialy. Leningrad, 1974.
Corte, A. della. Toscanini visto da un critico. [Torino] 1958.

I. M. IAMPOL’SKII

Toscanini, Arturo

(1867–1957) conductor; born in Parma, Italy. He was a cellist before the night in 1886 when he took over the baton from an indisposed conductor in Rio de Janeiro and stayed on the podium for the rest of his career. After years of journeyman work in Italian opera houses, he became conductor of Milan's La Scala in 1898. In 1909 he came to the U.S.A. to lead the Metropolitan Opera orchestra; his subsequent career took him to positions in Europe, England, and the U.S.A., including the podium of the New York Philharmonic from 1928 to 1936. In 1937 the NBC Symphony, primarily a broadcasting and recording orchestra, was created for Toscanini; he led it until 1954, cementing his reputation as one of the most revered conductors in the world. He helped pioneer a new performance tradition that proclaimed an end to Romantic interpretive excesses and substituted absolute fidelity to the score; in practice, that made for clean, sinewy performances, achieved partly by his legendary tantrums in rehearsals. He was equally admired for his performances of Beethoven and other 19th-century classics and of modern composers including Stravinsky, Debussy, and Richard Strauss.
References in periodicals archive ?
Of particular note are anecdotes and performance notes related to Hugo Wolf, Arturo Toscanini, Bruno Walter, and Richard Strauss, such as Lehmann's memory of performing Strauss' "Heimliche Aufforderung" in recital with the composer at the piano (224).
But he is probably best known as one of the Berv brothers, who made up three-fourths of the horn section at the NBC Symphony Orchestra under Arturo Toscanini.
In 1920, the now-married couple moved in and began to receive literary luminaries such as Romain Rolland and Joseph Roth and musicians such as Richard Strauss, Arturo Toscanini, and Bruno Walter, who had been engaged by the annual Salzburg summer festival.
At the Gala Concert of the opening ceremony, the RAI Orchestra, conducted by 36-year-old Slovakian maestro Jurai Valcuha, will perform at Turin's Arturo Toscanini Auditorium and broadcast live on RAI-TV5, Radio-3 and worldwide via RAI-TV International.
Known both as Hotel Astor and the Astor Hotel, it was also home to residents such as conductor Arturo Toscanini, and celebrities such as actor Jimmy Durante and filmmaker D.
No less an authority than the great conductor Arturo Toscanini, who had conducted Caruso, proclaimed that Mario Lanza had "the greatest voice of the 20th century".
Sony Classical is the home of artists such as Yo-Yo Ma, Nikolaus Harnoncourt, Lang Lang, Joshua Bell, Murray Perahia and Vittorio Grigolo, as well as containing the musical legacy of Glenn Gould, Arthur Rubinstein, Vladimir Horowitz, Arturo Toscanini and Leonard Bernstein.
David considered the possibilities, his own father, Abraham Lincoln, Judge Louis Bran-deis, Lou Gehrig, Arturo Toscanini, he thought.
Everyone from Enrico Caruso and Arturo Toscanini to Maria Callas and Renata Tebaldi made the long trip to Argentina.
It was here that she met Arturo Toscanini and Richard Strauss, in whose Rosenkavalier she soon found her signature role, as the Marschallin.
Summary: In honour of the most influential conductor of classical music who in his interpretations also remained faithful to the composer: the new "Montblanc Donation Pen Arturo Toscanini" in black precious resin and platinised fittings pays homage to the musician who started as a young cellist and, in one single appearance, became one of the greatest maestri as conductor: Arturo Toscanini.