Ashbery, John

Ashbery, John,

1927–2017, American poet, b. Rochester, N.Y., grad. Harvard (B.A., 1949), Columbia (M.A., 1951). Among the most acclaimed and influential American poets of his ear, he was (1960s–70s) one of the so-called New York school of poets, which also included Frank O'HaraO'Hara, Frank
1926–66, American poet, b. Baltimore, grad. Harvard (B.A., 1950), Univ. of Michigan, Ann Arbor (M.A., 1951). His poetry is spontaneous, vernacular, witty, personal, and very much of its time and place—New York City, 1951–66.
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, Kenneth KochKoch, Kenneth
(Kenneth Jay Koch) , 1925–2002, American poet, novelist, and playwright, b. Cincinnati. After studying at Harvard and Columbia he was associated with the Artist's Theatre, Locus Solus
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, and James Schuyler. Influenced early in his career by the method and music of John CageCage, John,
1912–92, American composer, b. Los Angeles. A leading figure in the musical avant-garde from the late 1930s, he attended Pomona College and later studied with Arnold Schoenberg, Adolph Weiss, and Henry Cowell.
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, Ashbery called his writing technique "managed chance." He was averse to the personal revelations of the contemporary, so-called confessional poets. His poems are experimental and idiosyncratic in style and syntax, strongly visual, and narrative, but typically complex, elusive, ambiguous, and somewhat obscure. His more than 20 collections include Some Trees (1956), The Tennis Court Oath (1962), Self-Portrait in a Convex Mirror, his most celebrated work (1975; Pulitzer Prize, National Book Award, National Book Critics Circle prize), Shadow Train (1981), A Wave (1984), April Galleons (1987), And the Stars Were Shining (1994), Chinese Whispers (2002), Where Shall I Wander (2005), Planisphere (2009), and Breezeway (2015). He also wrote two book-length poems, Flow Chart (1991) and Girls on the Run (1999); and three plays, The Compromise (1960), The Heroes (1960), and The Philosopher (1964); and coauthored a novel, A Nest of Ninnies (1969). On a Fulbright scholarship to Paris in the 1950s, Ashbery began to write art criticism and continued to do so after his return to New York, writing for various journals and editing the quarterly Art and Literature. Many of his art reviews and essays were collected in Reported Sightings (1989). He also translated works by such French writers as Pierre Reverdy, Raymond Roussel, Max Jacob, and Arthur Rimbaud. Ashbery taught at Brooklyn College, Harvard, and Bard College.

Bibliography

See M. Ford, ed., John Ashbery: Collected Poems, 1956–1987 (2008) and John Ashbery: Collected Poems 1991–2000 (2017); E. Richie, ed., Selected Prose (2004); K. Roffman, The Songs We Know Best: John Ashbery's Early Life (2017); studies by D. Shapiro (1979), D. Lehman, ed. (1980) and as author (1999), H. Bloom, ed. (1985 and 2004), J. Shoptaw (1994), S. M. Schultz, ed. (1995), D. Herd (2000), G. Ward (2d ed. 2001), K. Bartczak (2006), A. DuBois (2006), and J. E. Vincent (2007).

Ashbery, John (Lawrence)

(1927–  ) poet, writer; born in Rochester, N.Y. He attended Harvard (B.A. 1949), Columbia University (M.A. 1951), lived in Paris (1955–65), and settled in New York City. He taught at Brooklyn College beginning in 1974, was a playwright and a literary and art critic, and was known for his visionary poetry, as in Self-Portrait in a Convex Mirror (1975).
References in periodicals archive ?
Among those in attendance are John Ashbery, John Berryman, Darrell Gray, Paul Muldoon, Wallace Stevens, James Tate, and David Berman (whose name is also affixed to a blurb you must see to believe).
Danto, Andre Chastel, John Golding, Clement Greenberg, Meyer Schapiro, John Ashbery, John Berger, Yves Bonnefoy, Rosalind E.
The "prelude" also cites many of Kazin's contemporaries: Flannery O'Connor, "the greatest American Catholic writer"; Edmund Wilson, "our last Great Man of Letters"; Saul Bellow, John Ashbery, John Berryman.