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aerial perspective |
Also found in: Wikipedia | 0.05 sec. |
aerial perspectiveMethod of producing a sense of depth in a painting by imitating the effect of atmosphere that makes objects look paler, bluer, and hazier or less distinct in the middle and far distance. The term was coined by Leonardo da Vinci, but the technique can be seen in ancient Greco-Roman wall paintings (e.g., at Pompeii). It was discovered that dust and moisture in the atmosphere caused the scattering of light passing through it; short-wavelength light (blue) is scattered most and long-wavelength light (red) least. Italian painters in Leonardo's time used the device; it was exploited by 15th-century northern European artists and later by J.M.W. Turner. |
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? Mentioned in | ? References in periodicals archive | |
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The latest painting in the show, Landscape in Fog, 1996, joins brushy Japanese painting with Western commercial printing, using benday dots of various sizes to indicate atmospheric perspective. It requires knowledge of color theory and atmospheric perspective. The results are twofold: First, atmospheric perspective is eliminated; second, things that originally lay one behind the other now lie next to each other on the same spatial plane. |
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