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Mikhail Bakhtin
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Bakhtin, Mikhail Mikhailovich 

Born Nov. 5 (17), 1895, in the city of Orel. Soviet Russian literary scholar.

In 1920, Bakhtin began his pedagogical and literary work. In his book Problems in Dostoevsky’s Works (1929) he studied the polyphonic character of the author’s artistic thought. In his book on F. Rabelais (1965), Bakhtin analyzed the essence of the comic and the grotesque, the popular “carnivalization” of art. He is also the author of articles on L. N. Tolstoy (1930) and works on the theory of literature.

WORKS

Problemy poetiki Dostoevskogo, 2nd ed. Moscow, 1963.
Tvorchestvo F. Rable i narodnaia kul’tura Srednevekov’ia i Renessansa. Moscow, 1965.
“Epos i roman.” Voprosy literatury, 1970, no. 1.

REFERENCES

Lunacharskii, A. V. “O’mnogogolosnosti’ Dostoevskogo.” In his book Stat’i o literature. Moscow, 1957.
Shubin, L. “Gumanizm Dostoevskogo i’dostoevshchina’.” Voprosy literatury, 1965, no. 1.
Pospelov,G. “Preuvelicheniia ot uvlecheniia.” Voprosy literatury, 1965, no. 1.
Pinskii, L. “Rable v novom osveshchenii.” Voprosy literatury, 1966, no. 6.


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To do so, I focus with regard to Bakhtin on his Rabelais and His World because it is in this work that Bakhtin formulates and develops the concept of grotesque realism.
Following an introductory chapter examining the relations between psychology and history, he discusses Locke, Shaftesbury, and Thomas Reid in discourse with each other, Bakhtin, Wittgenstein, Diderot, and other influential thinkers.
The Russian theorist Bakhtin explains that the mirror image can never provide the individual with a complete or necessary view of itself.
 
 
 
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