ballad opera


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ballad opera,

in English drama, a play of comic, satiric, or pastoral intent, interspersed with songs, most of them sung to popular airs. First and best was The Beggar's Opera (1728) by John GayGay, John,
1685–1732, English playwright and poet, b. Barnstaple, Devon. Educated at the local grammar school, he was apprenticed to a silk mercer for a brief time before commencing his literary career in London.
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. The vogue for these operas lasted until c.1750.
References in periodicals archive ?
27) The volume also contains Leveridge's tune for the song, and it therefore looks as if Leveridge's tune was consciously rejected for the ballad opera in favour of Sandoni's.
If Fielding once claimed he was uncomfortable with verse since his muse was "a free born Briton & disdains the slavish Fetters of Rhyme" (1993: 24) in the service of ballad opera his verse reinforced his standing as a Briton.
Mangangsana, Director of the Manipuri Ballad Opera.
Seventeenth century ballad operas took the idea of grand Italian opera but made them accessible to ordinary folk by setting the lyrics to popular broadsheet ballads, opera arias, church hymns and folk tunes of the day.
Sobretudo no seculo XVIII, surgem, como alternativa a opera, uma serie de tradicoes autoctones de teatro musicado: a zarzuela em Espanha, a opera comique em Franca, a ballad opera em Inglaterra, o Singspiel na Alemanha.
That was in 1755 after which Garrick was much more careful: no more turning Shakespeare into ballad opera and no more castrati at Drury Lane.
This latest introduction stresses the gradual integration of the afterpiece into the evening's entertainment, the development of ballad opera and the continuing competition with Italian opera, the decline in political and sexual subject-matter, and the introverted concentration, in prologues, on issues of dramatic theory.
Heidi Helen Davis, the gifted interpreter of such past Theatricum triumphs as ``A Streetcar Named Desire'' (1993) and ``The Glass Menagerie'' (1994), stages this ballad opera, as adapted into English by Marc Blitzstein.
The development of the latter category as 'Georgian' reformulations, which aimed to inspire clean-living youths with notions of comradeship and national fervour, is very much a matter of living memory: Michael Tippett, no less, wrote a ballad opera of Robin Hood in 1933.
This issue emerges, for example, in the question of the definition of "opera" itself, more precisely, of the relation to the central cases of opera--the Italian seria and buffa tradition, French grand opera and Wagnerian music drama--with a multitude of forms like ballad opera, operetta, minstrel show and musical comedy.
In common with its French and English counterparts with which it was closely allied - the opera comique and ballad opera respectively - it countered the powerful influence of the Italian opera seria and indeed contributed to the latter's decline.
1728) A ballad opera by John Gay, first produced at Lincoln's Inn Fields in London, a theatre managed by John Rich.