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Baroque period

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Baroque period

(17th–18th century) Era in the arts that originated in Italy in the 17th century and flourished elsewhere well into the 18th century. It embraced painting, sculpture, architecture, decorative arts, and music. The word, derived from a Portuguese term for an irregularly shaped pearl and originally used derogatorily, has long been employed to describe a variety of characteristics, from dramatic to bizarre to overdecorated. The style was embraced by countries absorbed in the Counter-Reformation; artworks commissioned by the Roman Catholic church were overtly emotional and sensory. The period's most notable practitioners were Annibale Carracci (see Carracci family), Caravaggio, and Gian Lorenzo Bernini. A spectacular example of the Baroque arts is the Palace of Versailles. In music, the Baroque era is usually considered to extend from c. 1600 to c. 1750, when such significant new vocal and instrumental genres as opera, oratorio, cantata, sonata, and concerto were introduced and such towering composers as Claudio Monteverdi, J.S. Bach, and George Frideric Handel flourished.



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The singers, accompanied by period instrumentalists, will perform music from the late Renaissance and early Baroque period, including Allegri's sublime Miserere Mei, and Carissimi's passionate Jephtha, best known for its final movement with its exquisite harmonies.
Peters Church, where the audience will learn how music was made in the middle ages and early baroque period in Riga.
This fascination--or even obsession--with women of all descriptions is perhaps nowhere more apparent than during the Italian Baroque period.
 
 
 
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