Bedrich Smetana


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Smetana, Bedřich

 

Born Mar. 2, 1824, in Litomyšl; died May 12, 1884, in Prague. Czech composer, conductor, pianist, and public figure in the world of music.

Smetana studied in Prague under J. Proksch. While still a child, he came in contact with the ideas of the Bouditeli (Awak-eners). He began concertizing as a pianist in 1847 and played publicly for more than 20 years. During the period 1847–56 he directed a music school that he founded in Prague. From 1856 to 1861, Smetana lived in Göteborg, Sweden, where he performed as a conductor and pianist. During these years, he composed the piano works Six Characteristic Pieces (two books, 1848), which Liszt praised, and Memories of Bohemia (polkas, I860) and the symphonic poems Richard III (1858), after Shakespeare, Wallenstein’s Camp (1859), after Schiller, and Haakon Jarl (1861), after Oehlenschläger.

In 1862, Smetana began performing in Prague as an orchestra conductor, choral director, and pianist. He also taught, wrote music critiques, and organized public musical and educational activities. Beginning in 1863 he directed the Hlahol chorus in Prague and the music section of the Umĕlecká Beseda arts club. From 1866 to 1874, Smetana served as operatic conductor of the Provisional Theater. He enriched the theater’s repertoire, presenting not only the Western European classical operas but also works by Czech composers, including F. Škroup, K. Bendl, and L. Mĕchura, he also conducted the operas of M. I. Glinka and S. Moniuszko’s opera Halka. It was here that Smetana supervised the staging of his own operas and conducted many of their premieres, thus laying the foundations of the national operatic repertoire.

Smetana wrote a total of nine operas, including the historical musical drama The Brandenburgers in Bohemia (1863), which called for liberation from national and social oppression, and his most famous work, the comic opera The Bartered Bride (1866, Prague; 3rd version, 1870, St. Petersburg), which is still performed in many countries. The Bartered Bride is marked by realistic scenes from the everyday life of the people, the joy of life, and the melodic quality of its music, based on folk tunes and the rhythms of Bohemian dances. The tragic opera Dalibor (1868) provoked a polemic in which Smetana was supported by the progressive leaders of Bohemian culture, including J. Neruda and O. Hostinský; others accused the composer of departing from national traditions under the influence of Liszt and Wagner.

In connection with his loss of hearing, Smetana resigned from his post as conductor and settled in the village of Jabken-ice, near Prague, where he composed his finest orchestral works, including the cycle Má Vlast (1874–79), consisting of six programmatic symphonic poems: Vyšehrad, Vltava (The Moldau), Šárka, From the Fields and Groves of Bohemia, Tábor, and Blaník. The work celebrates the Bohemian countryside and people, using heroic national legends. While in Jabkenice, Smetana also wrote the operas The Secret (1878), The Devil’s Wall (1882), and Viola (unfinished; staged 1924), two string quartets (1876 and 1883), the first of which is autobiographical and entitled From My Life, and other chamber-instrumental works, choral works, and the Czech Dances for piano (1877–79).

Smetana was a composer-patriot, who fought for progressive artistic ideals. His creative work, marked by its national idiom and the great skill of its creator, determined later paths of development in Czech music. In Prague, a concert hall, a string quartet, and a musical society have been named in honor of Smetana; the musical society has published the composer’s complete works. The Smetana Museum, founded in 1928, is located in Prague and has branches in Litomyšl and Jabkenice.

REFERENCES

Gulinskaia, Z. Bedrzhikh Smetana. Moscow, 1959.
Martynov, I. Bedrzhikh Smetana. Moscow, 1963.
Belza, I. Istoriia cheshskoi muzykal’noi kul’tury, vol. 2. Moscow, 1973. Chapter 3.
Hostinský, O. Bedřich Smetana a jeho boj omoderní českou hudbu. Prague, 1901.
Nejedlý, Z. Bedřich Smetana, books 1–7. Prague, 1950–54.
Plavec, J. Smetanova tvorbásborová. Prague, 1954.
“Soupis dopisu Bedřicha Smetany.” Miscellanea musicologica, 1960, vol. 15.
Clapham, J. Smetana. London, 1972.

I. F. BELZA

References in periodicals archive ?
Over the past few years, two musicologists from the Bedrich Smetana Museum - Olga Mojzisova and Milan Pospisil - have linked up to the work carried out by their predecessors.
Liszt's relationships with other composers are more difficult to trace from this collection; Williams has included only one or two letters to individual composers, among them Fryderyk Chopin, Edvard Grieg, Bedrich Smetana, Nikolay Rimsky-Korsakov, Rubinstein, Alexander Borodin, Mily Alexeyevich Balakirev, Cesar Cui, Carl Reinecke, Camille Saint-Saens, and Ferenc Erkel.
I remember her definition and explanation of the "Moldau" by Bedrich Smetana.
Excerpts or short original piano pieces not only from Liszt, but from Richard Wagner, Hector Berlioz, Bedrich Smetana, Hans von Bulow, Anton Rubinstein, Carl Tausig, Joseph Joachim, Pauline Viardot-Garcfa, to name a few of the fortyfour illustrious musicians, are also found, making this little album a very precious item indeed and calling to mind a similar idea behind the famed Hexameron or Liszt's Chopsticks Variations.
The program includes a piano quartet by Gabriel Faur; two harp duets featuring music by George Gershwin and Jean-Baptiste Krumpholtz; a trio by Aram Khatchaturian for violin, clarinet, and piano; a piano trio by Bedrich Smetana, and a scene from Gioacchino Rossini's opera "The Barber of Seville.
While the word "and" in the title of the Brno congress is an indication of that conference's aim to deliberate Janacek's position within the musical spheres of Europe, the same word in Janacek and Czech Music is a simple conjunction: most of its essays deal with Janacek's music, while some deal with other Czech music, mostly from before the time of Bedrich Smetana.
Concerts of music by Bedrich Smetana, Antonin Dvorak and Bohuslav Martinu.
During the summer, new productions of operas by Leos Janacek, Bedrich Smetana and Bohuslav Martinn were presented abroad.
Also included will be folk art songs composed by Antonin Dvorak, Bedrich Smetana and Leos Janacek.
And in 2014, the Year of Czech Music, she symbolically rounded off the grandiose project with the final, 2-CD album, whose launch took place, in the artist's presence, on 10 November at the Bedrich Smetana Museum in Prague.
Tchaikovsky) with pianist Stewart Goodyear on Monday; "Of Music and Nations" (music by Bedrich Smetana, Jean Sibelius and Cesar Franck) with violinist Caitlin Tully on Wednesday; and "The American Muse" (music by Aaron Copland and George Gershwin) with baritone Thomas Meglioranza, mezzo-soprano Sarah Mattox and narrator Myrlie Evers-Williams on Saturday.