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Belmondo, Jean-Paul

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Belmondo, Jean-Paul (zhäN-pōl bĕlmôNdō`), 1933–, French film actor, b. Neuilly-sur-Seine, studied Paris Conservatory. Belmondo made his film debut in 1957, but first gained fame in Breathless (1960), playing a restless, flippant young hoodlum. His particularly disengaged style appealed to young audiences of the day, making him France's most popular male film star throughout the 1960s. This antiheroic demeanor also made him one of the most important actors in the nouvelle vague (new wave) films of such filmmakers as Jean-Luc Godard Godard, Jean-Luc , 1930–, French film director and scriptwriter, b. Paris. Godard is probably the most influential of the French New Wave directors. His highly personal films are marked by a freewheeling approach to style, content, and story structure, and he
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, François Truffaut Truffaut, François , 1932–84, French film director and critic. As a critic, he was noted for his promotion of the auteur theory. The director, he believed, should have creative control over all aspects of the film.
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, and Louis Malle Malle, Louis , 1932–95, French film director, b. Thumeries, France. Malle's motion pictures are noted for their nonjudgmental approach to often taboo material, for which he sought to cause the audience to reevaluate its attitudes.
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. In later years, Belmondo starred in an immensely popular series of action movies. His other films include Moderato Cantabile (1960), That Man from Rio (1964), Pierrot le Fou (1965), The Mississippi Mermaid (1968), Borsolino (1970), Stavisky (1974), and L'Animal (1977). Among his later films are Joyeuses Pâques (1984), L'Inconnu dans la maison (1992), Désiré (1996), Peut-être (1999), and Amazon (2000). In the 1960s, Belmondo founded his own film company, and in 1990 he established another, Annabel Productions.

Belmondo, Jean-Paul

(born April 9, 1933, Neuilly-sur-Seine, near Paris, France) French film actor. After studying in Paris and performing with provincial stage companies, he appeared in minor film roles before achieving international fame in Jean-Luc Godard's Breathless (1960). Though not conventionally handsome, he became the leading antihero of New Wave cinema, acting in 25 films by 1963, then went on to appear in such acclaimed films as Pierrot le Fou (1965), Mississippi Mermaid (1969), and Les Misérables (1995).



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