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Bentley, Eric

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Bentley, Eric, 1916–, American critic, editor, and translator, b. Bolton, England, grad. Oxford, 1938, Ph.D. Yale, 1941. A highly regarded and rigorously intellectual critic, particularly of the drama, Bentley is the author of such works as A Century of Hero-Worship (1944), The Playwright as Thinker (1946), Bernard Shaw (1947), What Is Theatre? (1956), The Life of the Drama (1964), The Importance of Scrutiny (1964), Theatre of War (1972), Brecht Commentaries (1981), Thinking about the Playwright (1987), and Bentley on Brecht (1998). He is also known for his translations of plays by Bertolt Brecht Brecht, Bertolt , 1898–1956, German dramatist and poet, b. Eugen Berthold Friedrich Brecht. His brilliant wit, his outspoken Marxism, and his revolutionary experiments in the theater have made Brecht a vital and controversial force in modern drama.
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 and Luigi Pirandello Pirandello, Luigi , 1867–1936, Italian author, b. Sicily. One of the great figures in 20th-century European theater, Pirandello was awarded the 1934 Nobel Prize in Literature.
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 and for his editions of collected plays, including The Classic Theatre (4 vol., 1958–61). He was the drama critic for the New Republic from 1952 to 1956 and taught at Columbia, where he was a professor until 1969, and several other universities. Also a playwright, Bentley has written about a number of plays since the 1970s, on a wide variety of subjects including Galileo, Oscar Wilde, and the House Un-American Activities Committee.

Bentley, Eric (Russell)

(born Sept. 14, 1916, Bolton, Lancashire, Eng.) British-born U.S. drama critic and translator. He was a stage director in several European cities (1948–51); in Munich, after working with Bertolt Brecht on a production of the playwright's Mother Courage, he translated Brecht's plays into English. His reporting on European theatre for several magazines helped introduce many European playwrights to the U.S. He wrote numerous critical works, including Life of the Drama (1964), and taught at Columbia University (1953–69) and elsewhere.



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