Malamud, Bernard (redirected from Bernard Malamud)

Malamud, Bernard (măl`əməd), 1914–86, American author, b. New York City, grad. B.A., College of the City of New York, 1936, M.A., Columbia Univ., 1942. His works reflect a concern with Jewish tradition and the nobility of the humble man. The Fixer (1966; Pulitzer Prize), set in czarist Russia, reveals the courage of a handyman falsely accused by the government of ritual murder. The Tenants (1971) describes the confrontation of two writers—one Jewish, one African American—and probes the nature of the art of writing. Among his other works are the novels The Natural (1952), A New Life (1961), Dubin's Lives (1979), and God's Grace (1982); the short-story collections The Magic Barrel (1958), Idiots First (1963), and Rembrandt's Hat (1973), gathered together in The Collected Stories (1997).

Bibliography

See memoir by his daughter, J. M. Smith (2006); studies by J. Helterman (1985) and J. Salzberg, ed. (1987).

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Malamud, Bernard

(born April 26, 1914, Brooklyn, N.Y., U.S.—died March 18, 1986, New York, N.Y.) U.S. novelist and short-story writer. Born to Russian-Jewish immigrants, he was educated at City College of New York and Columbia University, and he later taught principally at Bennington College. His novels, which often make parables out of Jewish immigrant life, include The Natural (1952), about a baseball hero; The Assistant (1957), about a Jewish grocer and a Gentile hoodlum; and The Fixer (1966, Pulitzer Prize), often considered his finest novel. His genius is most apparent in his stories, collected in The Magic Barrel (1958), Idiots First (1963), Pictures of Fidelman (1969), and Rembrandt's Hat (1973).

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Malamud, Bernard (1914–86) writer; born in New York City. His Russian-Jewish parents ran a small grocery store, and he would use such biographical material in much of his writing. He studied at the College of the City of New York (B.A. 1936), and Columbia University (M.A. 1942). He worked for the Census Bureau in Washington, D.C. (1940), and then taught English at New York City evening schools (1940–49). He then moved up to college teaching, first at Oregon State (1949–61), then at Bennington (1961–86). His first novel, The Natural (1952), is regarded as launching the modern tradition of serious baseball fiction, while many of his later novels, such as The Assistant (1957) and The Fixer (1966), were contemporary morality tales based on the Jewish experience.