Bette Davis


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Bette Davis
Ruth Elizabeth Davis
Birthday
BirthplaceLowell, Massachusetts, United States
Died
Occupation
Actress

Davis, Bette

(bĕt`ē), 1908–89, American film actress, b. Lowell, Mass., as Ruth Elizabeth Davis. One of the most durable stars of the American screen, she made her debut in 1931. With a strikingly artificial yet emotionally compelling acting style and distinctive features that gave her an unconventional beauty, Davis was difficult to promote as a romantic figure. Her successful early roles included Of Human Bondage (1934) and Dangerous (1935, Academy Award). Frustrated at the lack of better roles, she broke her contract with Warner Brothers and lost a subsequent court case in which the standard seven-year contract binding a performer to one studio was upheld. But Davis found her niche as the troubled woman in search of romance in such films as Jezebel (1938), for which she won another Academy Award, and The Little Foxes (1941). Among her other outstanding films are Dark Victory (1939), Now, Voyager (1942), and the superb All about Eve (1950). When her popularity began to decline in the 1950s, she responded by accepting offbeat, even bizarre, roles in The Catered Affair (1955), Whatever Happened to Baby Jane? (1961), and other 1960s films. With fellow screen legend Lillian GishGish, Lillian,
1896–1993, American stage and movie actress, b. Springfield, Ohio. In 1912 she began her film career with D. W. Griffith. A fragile, delicate beauty, Gish often played a heroine rescued from cruel fate at the last moment.
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, she gave a graceful valedictory performance in The Whales of August (1987).

Bibliography

See her autobiography (1962); biographies by J. Vermilye (1972), C. Higham (1981), B. Leaming (1992), J. Spada (1993), C. Chandler (2006), and E. Sikov (2007).

Davis, Bette

 

(Ruth Elizabeth Davis). Born Apr. 5, 1908, in Lowell, Mass. American motion picture actress.

Davis studied in drama school, and made her Broadway debut in 1928. From 1930 to 1935 she played ingenues and femmes fatales in films. It was only in the role of Mildred (in Of Human Bondage, based on the W. S. Maugham novel, 1934) that Davis first revealed the inner world of a complex and contradictory personality. In the psychological dramas Jezebel (1938), Dark Victory (1939), and Juarez (1939) the Davis heroine took shape—a strong, domineering woman, willing to attain her goal at any price and disdaining public opinion and moral codes. In 1941, Davis created her most significant character, Regina Hubbard, in The Little Foxes (based on L. Hellman’s play). She had roles in several important films of the 1950’s: All About Eve (1950), Storm Center (1956), and The Catered Affair (1956). In the 1960’s she played women affected pathologically by loneliness and frustration: Whatever Happened to Baby Jane? (1962), Dead Ringer (1964), and Hush, Hush, Sweet Charlotte (1965).

WORKS

The Lonely Life: An Autobiography. New York, 1962.

REFERENCE

Kartseva, E. N. Bett Devis. Moscow, 1967.

V. A. UTILOV

Davis, Bette

See Davis, (Ruth Elizabeth) Bette.

Davis, (Ruth Elizabeth) Bette

(1908–89) film actress; born in Lowell, Mass. After studying drama she was fired from a stock company in Rochester, N.Y., and then appeared with the Provincetown Players off-Broadway in 1928. She made her Broadway debut in Broken Dishes (1929), and her Hollywood debut in Bad Sister (1931). By 1932 she was becoming known as a dedicated actress with an electrifying style. Able to bring an emotional honesty to the screen, she became a prime box-office attraction between 1935 and 1946 and was nominated for an Oscar ten times, winning it twice in Dangerous (1935) and in Jezebel (1938). An independent woman, she fought her studio for better parts, and got them. Married and divorced four times, she was still active until 1978.
References in periodicals archive ?
Still, she was Bette Davis and her trademarked quirks remained.
They tell the story of films like Casablanca, All About Eve, Gone With the Wind (It could have been Bette Davis instead of Vivien Leigh), Born Yesterday, Psycho and others.
Kennedy undermines the colonizing images of white Hollywood icons such as Bette Davis, Marlon Brando, Jean Peters, Montgomery Clift, and Shelley Winters, who portray "her-selves" in "starring roles" in order to dramatize the personal/familial domestic saga of the leading "protagonist," "Clara--The Playwright," with Clara's mother, father, and husband in "supporting roles.
Just like Bette Davis, Barrett-Jackson automotive lifestyle events have become part of the fabric of American culture," said Craig Jackson, Chairman/CEO of Barrett-Jackson.
The elevator doors opened and there, in front of us, was Bette Davis jumping up and down and ecstatic to see my mother-in-law
She took time out from playing the legendary Bette Davis opposite ex-EastEnder Anita Dobson as Joan Crawford in black comedy Bette And Joan to talk about the realities of acting.
FIVE-FOOT-THREE, 122 pounds, with dark blonde hair and wide blue eyes, Bette Davis was the dynamite that exploded on the screen in the 1930's like a ton of TNT.
Borgnine, who recently starred in the final episode of hit US TV show ER, said the only autograph he ever wanted was from future co-star Bette Davis.
Bette Davis has always attracted a gay following and was freguently imitated by female impersonators such as Charles Pierce.
DAVID WALLIAMS and RUDOLPH VALENTINO; BETTE DAVIS and MADONNA; CLARK GABLE and LEONARDO DICAPRIO; KELLY BROOK and AVA GARDNER; SARAH HARDING and DORIS DAY; CHARLES BRONSON and JOSH HARTNETT; JAYNE MANSFIELD and MELINDA MESSENGER; DENZEL WASHINGTON and SIDNEY POITIER
If Bette Davis were making movies today, she would be talked into having an eye job.
And the list of his conquests, all for the furtherance of cinematic art, included Bette Davis, Joan Crawford and Rita Hay worth.