Bramantino


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Bramantino

(brämäntē`nō), c.1465–c.1535, Lombard painter and architect. His real name was Bartolomeo Suardi. He took the name of his master Bramante, whose style he followed closely. He became court painter to Francesco Maria Sforza. His works are noted for their fine architectural background. Examples of his art are the Madonna and Angels and St. Martin (both: Brera, Milan); and several paintings in the Metropolitan Museum and the National Gallery of Art, Washington, D.C. As an architect, Bramantino designed the Trivulzio Chapel (San Nazzaro, Milan). He also wrote a treatise on perspective, parts of which have been preserved.
References in periodicals archive ?
It also applies to the play of shapes and volumes in a Bramantino panel, or the rhyming details, colours or poses in a cycle of medieval frescoes.
Altdorfer was not content, as such painters as Bramantino were, with merely devising pictures and then buildings to put them in.
Certainly not Grand National-winning jockey Graham Lee, because today at Hexham, Bramantino will provide him with his long-awaited springboard back to race-riding.
According to the text accompanying a 1505-6 oil painting of "The Raising of Lazarus" by the Italian painter Bramantino, Pope Gregory thought that art presents the illiterate with the same opportunities that scripture offers scholars.
Crathorne is not one to place too much faith on and was below his recent best when only fourth to Bramantino at Newcastle.
com Handicap, where Bramantino (8-1) scored by a length and a quarter.
The lightly-raced son of In The Wings scored on his seasonal debut last month at Beverley, before going on to finish runner-up to Bramantino at the same venue 19 days later.
Via Bramantino 1, 6600 Locarno, 091 751 52 46, www.
Donatello, 189, Bramantino, 193, and Fra Filippo Lippi, 222.
The 3lb claimer appeared to be overdoing it on the five-year-old to plenty of observers, and the pair were matched at 50 in running, as Bramantino had clear daylight on the run-in and traded at 1.
23) According to Giovanni Paolo Lomazzo's Idea del Tempio della Pittura (Milan, 1590), Vincenzo Foppa, Bernardo Zenale, Bramantino, Butinone, and Bernardino Luini all wrote treatises on painting, proportion, and perspective, but these texts no longer survive (G.
The last time he won at Newcastle in April, he relished the testing conditions and ran right up to his best by slamming Bramantino by six lengths.