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Brancusi, Constantin

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Brancusi, Constantin (bränky`zē, Rom. brän`ksh), 1876–1957, Romanian sculptor. Brancusi is considered one of the foremost of modern artists. In 1904 he went to Paris, where he worked under Mercié. He declined Rodin's invitation to work in his studio. Because of his radical, economic style, his abstract sculptures, The Kiss (1908), Sleeping Muse (1910), and the portrait of Mlle Pogany (1923; Musée d'Art moderne, Paris) were the subjects of much controversy. He altered his technique from modeling to carving c.1910. In 1927 Brancusi won a lawsuit against the U.S. customs authorities who attempted to value his sculpture as raw metal. The suit led to legal changes permitting the importation of abstract art free of duty. Brancusi's work is notable for its extreme simplification of form, its organic and frequently symbolic character, and its consummate craftsmanship. He had a profound understanding of materials, working primarily in metal, stone, and wood. Bird in Space (1919; Mus. of Modern Art, New York City) is a characteristic work. Others are in the Solomon R. Guggenheim Museum, New York City, and in the museums of Chicago, Cleveland, and Philadelphia.

Bibliography

See catalogs by S. Geist (1969, 1975); biographies by I. Jianu (1963), R. Varia (1986), and E. Shanes (1989); studies by S. Geist (1968) and A. T. Spear (1969).


Brancusi, Constantin

(born Feb. 21, 1876, Hobita, Rom.—died March 16, 1957, Paris, Fr.) Romanian-born French sculptor. He became adept at carving wooden farm implements as a child and later studied in Bucharest and Munich and at the École des Beaux-Arts in Paris, having walked most of the way from Munich. He first exhibited in Paris in 1906. In 1908 he executed Sleeping Muse, influenced by Auguste Rodin, and The Kiss, his first truly original work. He developed a geometric style that became his hallmark, reducing natural forms to an abstract simplicity. He exhibited five works, including Mademoiselle Pogany, in the 1913 Armory Show. One of his favourite themes was a bird in flight; his most famous treatment was the celebrated polished-bronze Bird in Space (1919). Through numerous exhibitions in the U.S. and Europe, he achieved great fame and success, and he is regarded as a pioneer of modern abstract sculpture.


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