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Brecht
(redirected from Brechtian)

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Brecht
Bertolt . 1898--1956, German dramatist, theatrical producer, and poet, who developed a new style of "epic" theatre and a new theory of theatrical alienation, notable also for his wit and compassion. His early works include The Threepenny Opera (1928) and Rise and Fall of the City of Mahagonny (1930) (both with music by Kurt Weill). His later plays are concerned with moral and political dilemmas and include Mother Courage and her Children (1941), The Good Woman of Setzuan (1943), and The Caucasian Chalk Circle (1955)


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[ILLUSTRATION OMITTED] While Brechtian models of distanciation and self-reflexivity have taken on a central importance in these recent works, the denaturalisation of mediated, semi-documentary images of wars through the deployment of cinematic self-reflexivity does not constitute a new critical practice.
I can't help but feel Greek tragedy is stripped bare by a Brechtian interpretation.
You cite Wall's claim that his staged images continue a critique of documentary realism, but without the Brechtian or Godardian strategies of distanciation that had become "formulaic and institutionalized" by the mid-1970s.
 
 
 
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