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Bresson, Robert
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   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.07 sec.
Bresson, Robert (rôbĕr` brĕsôN`), 1901–99, French film director and scriptwriter, b. Bromont-Lamottie, France. Bresson's films tend to be austere, unadorned, and concerned more with intellectual and spriritual values than plot or character. He evinced a unique aesthetic and spiritual approach to cinema in the 13 films he made during the course of 40 years. Bresson attempted to avoid the theatrical, preferring to use nonprofessional actors in scripts with a minimum of dialogue and creating images of nearly abstract simplicity. His films include Les Dames du Bois de Bologne (1944), The Diary of a Country Priest (1950), A Man Escaped (1956), Pickpocket (1959), The Trial of Joan of Arc (1965), Au Hasard, Balthazar (1966), Mouchette (1966), Lancelot of the Lake (1974), and Money (1983).

Bibliography

See The Films of Robert Bresson (ed. by I. Cameron, 1970).


Bresson, Robert

(born Sept. 25, 1901, Bromont-Lamonthe, Puy-de Dôme, France—died Dec. 18, 1999) French film director. He worked as a painter and photographer before making his first film in 1934. His feature-length Les Anges du péché (1943) established his austere, intellectual style. Noted for intense psychological probing and the subordination of plot to visual imagery, he also directed The Diary of a Country Priest (1950), A Man Escaped (1956), Pickpocket (1959), Balthazar (1966), Lancelot of the Lake (1974), and L'Argent (1983).



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Seydou Keita, "the Bresson of Bamako," died in 2001, leaving a body of work specific to the postcolonial, urban Mali of the 1950s and '60s.
With its clear Canadian echoes of Samuel Beckett and Robert Bresson, MacGillivray's work is a modernist marvel in miniature that speaks of itself as it speaks to us.
But one great French director had started out fifteen years before the New Wave (and was still active into the 1980s): Robert Bresson (1901-1999).
 
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