Light Music

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Light Music

 

music that is easy to comprehend and designed chiefly for entertainment purposes. It is distinguished by uncomplicated content, accessible musical language, and simple form; it is related to popular and salon music.

As a rule, light music is cheerful. There are a great many genres, ranging from dances, marches, and songs to instrumental rhapsodies, suites, medleys and fantasies based on popular themes, and musical comedies. Many major composers of the past paid tribute to light music in some degree, including W. A. Mozart and F. Schubert. Such 19th-century composers as J. Lanner, J. Strauss the elder and the younger, and J. Offenbach created classic models of light music.

Light music is prominent in contemporary music and is particularly widespread in jazz form. Along with works of artistic value, there exist a large number of compositions of low quality that are trite and satisfy the tastes of the bourgeois philistine public. Musicians of the USSR and other socialist countries stress the importance of the artistic qualities of light music, which plays a significant role in musical life and serves such cultural ends as entertainment and enlightenment. Soviet composers strive to creatively develop the best traditions of the genre, incorporating elements of folk song and dance.

REFERENCES

Sokhor, A. O muzyke ser’eznoi i legkoi. Leningrad, 1964.
Chernov, A., and M. Bialik. O legkoi muzyke, O dzhaze, O khoroshem vkuse. Moscow, 1965.
References in periodicals archive ?
Last week, Radio 3 went overboard with a Festival of British Light Music, and that produced a good deal of music which was decidedly naff, some good and some masterpieces, reminding us that Vienna at New Year does not have all the best tunes.
Stuffy this ain't, but it doesn't half show the versatility of the CBSO, sandwiched between a British Light Music Classics evening conduct-t ed by John Wilson, who wears his ex-x pertise so lightly, and the Andris Nelsons Petrushka and Daphnis and Chloe programme.
A compilation of British Light Music released by Sanctuary Classics on two audio Compact Discs by the Royal Ballet Sinfonia under Gavin Sutherland, again takes the mind back because it features two pieces much featured by Fritz Spiegl in his April Fool's concerts of half a century ago.
One unusual recital happens on October 15, when harmonica player James Hughes will be joined by a string quartet in a programme of British light music.
Opening the new season on September 16 will be the Northern Sinfonia under Gateshead-born principal conductor John Wilson, in a programme of British light music from the likes of Arthur Sullivan and Henry Wood.
Other welcome returnee conductors number among their ranks Walter Weller, bringing his expertise in core-repertoire Central European music, the affable Nicholas McGe-gan directing Handel's last oratorio Jephtha in Birmingham Town Hall, and the much-loved John Wilson, bringing his insights into British light music music and into the showbiz of ballroom dancing to concerts which will very quickly sell out.
THE compact disc has caused a surge of new interest in British light music.
John Wilson, whose concerts of British light music have become a popular feature of the City of Birmingham Symphony Orchestra's programmes, is included in a strikingly youthful list of contenders for the Conductor award, while James Macmillan's new opera The Sacrifice, staged by Welsh National Opera at the Hippodrome in the autumn, is nominated twice under Opera and Large Scale Composition.
British Light Music Classics 1-4 New London Orchestra/ Ronald Corp (Hyperion CDS44261/4)
Nothing lazy about the wonderful "Workers' Playtime" programme of British light music miniatures the CBSO offered on Friday, under the irrepressible baton of the enthusiastic John Wilson.

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