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Byzantine art

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Byzantine art

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The Virgin and Child between Emperor John II (Comnenus) and Empress …
(credit: © 1997; AISA, Archivo Iconográfico, Barcelona, España)
Art associated with the Byzantine Empire. Its characteristic styles were first codified in the 6th century and persisted with remarkable homogeneity until the capture of Constantinople by the Turks in 1453. Concerned almost exclusively with religious expression, it tends to reflect an intensely hierarchical view of the universe. It relies on vigour of line and brilliance of colour; individual features are absent, forms are flattened, and perspective is absent. Walls, vaults, and domes were covered in mosaic and fresco decoration in a total fusion of architectural and pictorial expression. Byzantine sculpture was largely limited to small ivory reliefs. The importance of Byzantine art to European religious art was immense; the style was spread by trade and expansion to the Mediterranean basin, eastern European centres, and especially Russia. See also Byzantine architecture.



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Karampetsos (comparative literature, College of Southern Nevada), building on Dante's reference to the Pseudo-Dionysius in the Divine Comedy, contends that Dante's work contains evidence of the important role played by Byzantine art, aesthetics, and theology in his use of images.
An introduction to the visual culture of Venice, including the influence of Byzantine art, the coloristic bravura of Venetian Renaissance and Baroque painters, and the development of the Venetian vedutista, or view painters.
The press briefing and panel discussion on Capitol Hill was attended by Charalampos Chotzakoglou, professor of Byzantine art and archaeology at Hellenic Open University in Patras, Greece; German art historian Klaus Gallas, who is a specialist on the international smuggling of art artifacts; and Michael Jansen, author of "War and Cultural Heritage: Cyprus after the 1974 Turkish Invasion.
 
 
 
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