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Canadian art and architecture |
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Canadian art and architecture, the various types and styles arts and structures produced in the geographic area that now constitutes Canada.
For a discussion of the art of indigenous peoples of Canada, see North American Native art North American Native art, diverse traditional arts of Native North Americans. In recent years Native American arts have become commodities collected and marketed by nonindigenous Americans and Europeans. The Colonial PeriodAmong the outstanding art forms of early colonial Canada was French-Canadian wood carving, chiefly figures of saints and retables for the churches. This art flourished from 1675 (when Bishop Laval established a school of arts and crafts near Quebec) until c.1850. The art reached its height after the separation from France when, freed from the French Renaissance tradition, it developed a local character beautifully exemplified in such work as that in the Church of the Holy Family on Orléans Island and in the Provincial Museum at Quebec. The two great Quebec families of carvers were the Levasseurs (18th cent.) and the Baillairgés (19th cent.). The colonial period also produced fine embroidery (examples are kept at the Ursuline convent, Quebec) and several outstanding portraits executed in a naive folk-art style. Before 1880 most of the only other paintings and drawings produced in Canada were those by the colonial topographers, many of them English army officers. Most of this work is purely documentary. PaintingPaul Kane Kane, Paul, 1810–71, Canadian painter, b. Ireland. Kane went to Toronto as a child. He studied art in the United States (1836–41) and in Europe (1841–45). In the late 19th cent. the outstanding artists were the landscapists Daniel Fowler, F. M. Bell-Smith, and Robert Gagen; the portrait painters Robert Harris, Antoine Palamondon, and Théophile Hamel; and two great cartoonists, J. W. Bengough and Henri Julien. They were followed by a number of celebrated painters, including George A. Reid, Franklin Brownell, Florence Carlyle, F. McG. Knowles, Horatio Walker Walker, Horatio, 1858–1938, Canadian painter, b. Ontario, largely self-taught. Though he lived in Rochester and New York City, he painted chiefly scenes from the simple life of the inhabitants of the Île d'Orléans in the St. Lawrence. In 1920 Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz H. Johnston, Arthur Lismer, J. E. H. MacDonald, and F. Horsman Varley formed the Group of Seven, dedicated to painting the Canadian landscape. Traveling and working all over the dominion, they did much to awaken the interest of the country at large. Their approach, which emphasized flat, strongly colored design, tended toward a poster style. The cultural center of the Seven was Toronto. In Montreal toward the end of World War II a new, radical group was formed, including Alfred Pellan Pellan, Alfred (älfrĕd` pĕläN`), 1906–88, Canadian painter, b. Quebec. Other major painters, working in a wide variety of styles, include David Milne Milne, David, 1882–1953, Canadian painter, b. Ontario. He grew up in Canada and came to the United States in 1903, living for 13 years in New York City, where he studied at the Art Students League. From 1908 on Milne worked mainly in watercolor. Sculpture, Decorative Arts, and GraphicsAfter the decline of wood carving, little sculpture was produced until 1900. Philippe Hébert Hébert, Philippe (fēlēp`), 1850–1917, Canadian sculptor, b. Halifax, N.S. ArchitectureCanadian architecture adheres in the main to European and American trends, especially in the planning of public buildings. From the 18th to the 20th cent., French Renaissance, English Georgian, Neoclassical, and Gothic revival designs were successively dominant. A notable example of Gothic revival is found in the buildings of Parliament Hill, Ottawa (begun 1859), by Thomas Fuller and others. The Canadian Centre for Architecture (Montreal), a modern archive and research center created by Phyllis Lambert, opened in 1989. Based on the ideas of H. H. Richardson, well-known structures in the château style are the Château Frontenac (1890), Quebec City, and the Banff Springs Hotel (1913), Banff, Alberta. Major modern buildings include the Electrical Building and Civic Auditorium, Vancouver, British Columbia, and the Shakespeare Festival Theatre, Stratford, Ontario. Church and domestic architecture in Canada have consistently shown originality. Particularly in Quebec during the colonial period, charming rural stone houses and churches were developed—typically low and rectangular, with steep pitched roofs and uptilting eaves. Moshe Safdie Safdie, Moshe (mōshā` säf`dē), 1938–, Israeli-Canadian architect, b. Haifa. BibliographySee studies on Canadian art by J. R. Harper (1966 and 1972) and W. Townsend, ed. (1970); on architecture by P. Mayrand and J. Bland (1971); D. Reid, A Concise History of Canadian Painting (1974); D. G. Burnett, Contemporary Canadian Art (1983); L. Whiteson, Modern Canadian Architecture (1983). 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