Karl Czerny

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Czerny, Karl

(chĕr`nē), 1791–1857, Austrian pianist; pupil of Beethoven and teacher of Liszt. He is known for his technical studies for the piano; his numerous other works are seldom performed.

Czerny, Karl

 

Born Feb. 20,1791, in Vienna; died there July 15, 1857. Austrian pianist, teacher, and composer. Czech by nationality.

Czerny was initially taught by his father, Wenzel Czerny; from 1801 to 1803 he studied with L. van Beethoven. He established the Viennese school of piano playing of the first half of the 19th century. His pupils included F. Liszt, T. Leschetizky, T. Döhler, T. Kullak, and A. de Belleville-Oury.

Czerny is the author of more than 1,000 compositions, including symphonies and religious and chamber music. The bulk of his oeuvre consists of works for the piano, among them arrangements and transcriptions of compositions by other composers. His numerous exercises are still used in piano teaching. Czerny’s compositions and his approach to pianistic technique reflect both classical and romantic influences and a striving for a lyric and expressive style of playing.

WORKS

“Recollections From My Life.” The Musical Quarterly, 1956, vol. 42, no. 3.

REFERENCE

Roizman, L. “Karl Cherni i ego redaktsii klavirnykh sochinenii I. S. Bakha.” Sovetskaia muzyka, 1940, no. 10.
References in periodicals archive ?
Perhaps a similar sobriquet should be bestowed on Carl Czerny as a stepping-stone to a greater, deeper appreciation of what Biedermeier Vienna really meant.
Carl Czerny, On the Proper Performance of All Beethoven's Works for the Piano, Czerny's "Reminiscences of Beethoven" and Chapters II and III of the "Complete Theoretical and Practical Piano Porte School Op.
Example 1 shows the offending measure, as cribbed by Carl Czerny for his 1837 publication.
And indeed Joseph Eberle's career as depicted was most varied, including the publishing of wide-inclusive editions of compositions by Ludwig van Beethoven, Carl Czerny, Joseph Lanner and Franz Schubert, a "paper war" of music sheet printing and trade in 1900, and similar historical points on the music trade in Vienna from the 1880s to the early 20th century, Eberle being a hugely important figure with fierce competitiveness.