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(lo͞o`vrə), foremost French museum of art, located in Paris. The building was a royal fortress and palace built by Philip II in the late 12th cent. In 1546 Pierre LescotLescot, Pierre
, c.1510–1578, French Renaissance architect. Appointed by Francis I to design a new royal palace in Paris, he built the earliest portions of what was later to become the vast palace of the Louvre.
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 was commissioned by Francis I to erect a new building on the site of the Louvre. During his reign, several paintings by Leonardo, including the Mona Lisa, and works of other Italian masters came into the royal collections. In 1564, Catherine de' Medici commissioned Philibert DelormeDelorme or de l'Orme, Philibert
, c.1510–1570, French architect. Delorme was one of the greatest architects of the Renaissance in France, but unfortunately most of his work has been destroyed.
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 to build a residence at the Tuileries and to connect it to the Louvre by a long gallery. The Grande Galerie was completed in 1606 under Henri IV.

While Cardinal Richelieu collected art with state funds, work on the buildings was continued under Louis XIII. Lescot's architectural designs were expanded by Jacques LemercierLemercier, Jacques
, c.1585–1654, French architect, one of the group that evolved a classical mode of expression for French architecture. In Italy (c.1607–1614) he was strongly influenced by the architecture of Rome.
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 in 1624, and under Louis XIV the magnificent colonnade was brought to completion (1670) by Louis Le VauLe Vau, Louis
, 1612–70, French architect, involved in most of the important building projects for Louis XIV. He settled on the Île Saint-Louis, where he built his own house and the Hôtels Lambert and Lauzun.
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 and Claude PerraultPerrault, Charles
, 1628–1703, French poet. His collections of eight fairy tales, Histoires ou contes du temps passé [stories or tales of olden times] (1697) gave classic form to the traditional stories of Bluebeard, Sleeping Beauty, Cinderella, Puss in
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. In 1750 part of the royal collections was put on view in the Luxembourg palace. The modern museum, made for the use of the French people, was a direct result of the French Revolution; the revolutionary regime passed (1791) a law that brought it into being. In 1793, in the midst of the Reign of Terror, the Musée Central des Arts was created and the Grande Galerie of the Louvre was officially opened. For many years the area beneath the Grande Galerie served as artists' studios and workshops. The museum's first collection consisted largely of works taken from aristocratic émigrés and royal academies as well as possessions of the king and his court.

Baron Dominique-Vivant DenonDenon, Dominique-Vivant, Baron
, 1747–1825, French artist, writer, and archaeologist. He had a brilliant career as an artist and diplomat during the ancien régime and followed Napoleon on his campaign in Egypt.
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 assumed the directorship of the Louvre in 1802 and his patron, Napoleon I, added vastly to its collections by his conquests, systematically looting the treasures of W Europe and Egypt and shipping them off to the museum. Under Denon's leadership the museum became the first public institution in which works of art and objects taken from other locations were displayed in a systematic and educational fashion to a large public audience. In 1803 the museum was proclaimed the Musée Napoléon, keeping that title until 1814, when Napoleon fell. Many famous works were returned after his downfall, and Denon resigned his directorship, but about half of the works taken by Napoleon's army remained in the museum. The grand architectural scheme of the Louvre that was completed by Napoleon III remained unmodified until the late 20th cent. The museum is famous for its enormous collection of Greek, Roman, and Egyptian antiquities, and for its superb old masters, a collection especially rich in works by Rembrandt, Rubens, Titian, and Leonardo. Its most famous sculptures include the Nike, or Victory, of Samothrace and the Venus of Milo. A part of the museum building houses the Museum of Decorative Arts, a private institution.

In 1984 excavations began for the gradual expansion of the Louvre underground; construction was completed in 1993. A glass pyramid, designed by I. M. PeiPei, I. M.
(Ieoh Ming Pei) , 1917–, Chinese-American architect, b. Guangzhou, China. Pei emigrated to the United States in 1935 and studied at the Univ. of Pennsylvania, the Massachusetts Institute of Technology, and Harvard, where he taught from 1945 to 1948.
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 and opened in 1989, sits atop the entrance to this new space. At first controversial and considered by some a defacement, the pyramid has become a landmark. Pei also oversaw the extensive renovations and expansions of exhibition space that continued through the 1990s. The Islamic Gallery, which opened in 2012 and was designed by Italian Mario Bellini and Frenchman Rudy Ricciotti, is within the Visconti Courtyard; it is topped by a billowing golden roof that rises into the courtyard and appears to float within it.


See R. Huyghe, ed., Art Treasures of the Louvre (1960); C. Gould, Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre (1965); G. D. Regoli et al., Louvre, Paris (1968); P. Schneider, Louvre Dialogues (tr. 1971); A. McClellan, Inventing the Louvre (1994); G. B. Bauier, The Louvre (1995).


Louis XVI style
1. An assembly of sloping, overlapping blades or slats; may be fixed or adjustable; designed to admit air and/or light in varying degrees and to exclude rain and snow; esp. used in doors, windows, and the intake and discharge of mechanical ventilation systems.
2. A dome or turret rising from the roof of the hall of a medieval English residence, originally open at the sides to


(US), louver
a. any of a set of horizontal parallel slats in a door or window, sloping outwards to throw off rain and admit air
b. the slats together with the frame supporting them
2. Architect a lantern or turret that allows smoke to escape


the national museum and art gallery of France, in Paris: formerly a royal palace, begun in 1546; used for its present purpose since 1793