Cartier-Bresson, Henri (äNrē` kärtēā`-brĕsôN`), 1908–2004, French photojournalist, b. Chanteloup, near Paris. Cartier-Bresson is renowned for his countless memorable images of 20th-century individuals and events. After studying painting and being influenced by surrealism surrealism (sərē`əlĭzəm)
..... Click the link for more information. , he began (1931) a career in photography. Achieved with the simplest of techniques, his works are remarkable for their flawless composition, for their capture of what has been called "the decisive moment" in a situation, and for the sense they convey of the rush of time arrested. His photographs, characteristically taken with a 35-mm camera, are uncropped and unmanipulated. Cartier-Bresson witnessed and photographed many of his era's most historic events, from the Spanish Civil War, to the partition of India, the Chinese revolution, and France's 1968 student rebellion. He made numerous photographs of the German occupation of France and in 1944, after escaping from a Nazi prison camp, organized underground photography units. He was the author of many photographic books including The Decisive Moment (1952), People of Moscow (1955), China in Transition (1956), The World of Henri Cartier-Bresson (1968), The Face of Asia (1972), About Russia (1974), and the retrospective Henri Cartier-Bresson: Photographer (1992). A founder (1947) of the Magnum photo agency, he virtually retired from photography in the early 1970s and thenceforth largely devoted himself to drawing.

Bibliography

See his The Mind's Eye: Writings on Photography and Photographers (1999); F. Nourissier, Cartier-Bresson's France (tr. 1971); P. Galassi, Henri Cartier-Bresson: The Early Work (1987); J.-P. Montier, Henri Cartier Bresson and the Artless Art (1996); P. Arbaizer et al., Henri Cartier-Bresson: The Man, the Image and the World: A Retrospective (2003).

Cartier-Bresson, Henri

(born Aug. 22, 1908, Chanteloup, Fr.—died Aug. 3, 2004, Céreste) French photographer. He studied art in Paris and literature and painting at the University of Cambridge. His interest in photography developed c. 1930 when he encountered the works of Eugène Atget and Man Ray. He is known for spontaneous, sequential images in still photography, a technique inspired by his enthusiasm for filmmaking. He helped establish photojournalism as an art form and with Robert Capa, David Seymour, and others founded the cooperative Magnum Photos (1947). The best known of his many collections is The Decisive Moment (1952).