Charles Gounod

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Gounod, Charles


Born June 17, 1818, in Paris; died Oct. 18, 1893, in St. Cloud, a suburb of Paris. French composer. Member of the Institut de France (1866).

Gounod’s father was an artist, and his mother taught music. He took lessons in music theory from A. Reicha. During 1836–38 he studied counterpoint and fugues with J. F. Halévy and composition with J. F. Lesueur and F. Paer at the Paris Conservatory. In 1839 he won the Grand Prix de Rome for the cantata Fernand. This gave him the opportunity to spend three years in Italy and some time in Germany. Beginning in 1845, Gounod held the post of organist and later choirmaster at one of the churches in Paris for several years. From 1852 to 1860 he was the director of the Parisian choral society Orphéon. Between 1870 and 1875 he lived in London, where he founded the Gounod Choir (now the Royal Choral Society).

Gounod is the most outstanding representative of the French school of lyric opera. His masterpiece is the opera Faust, based on the tragedy by Goethe. (It was first staged at the Théâtre-Lyrique in 1859, and it was performed in 1869 at the Grand Opera Theater with recitatives instead of spoken dialogues and with the ballet scene “Walpurgis Night.”) Gounod’s Faust has won worldwide recognition. His best operas are distinguished by their realistic depiction of the feelings and experiences of the protagonists and by a subtle psychological revelation of their spiritual world. The lyric opera created by Gounod is characterized by sincerity and heartfelt simplicity of melodies, which are saturated with phrases from urban folk song and dance, as well as by dynamic contrasts in the dramatic writing, realistic depiction of scenes from everyday life, and exquisite harmony and instrumentation.

Gounod wrote 14 operas, two of which remained unfinished. Among them are Sapho (1850), Le Médecin malgré lui (1857), Philāmon et Baucis (1859), La Reine de Saba (1861), and Romeo and Juliet (1865). He also wrote cantatas, including Gallia. Gounod wrote music for several plays, including Molière’s Le Bourgeois gentilhomme, Pon-sard’s Ulysses, and Barbier’s Jeanne d’Arc, and he composed many religious pieces, especially masses and requiems. He was the composer of orchestral works, including two symphonies, and art songs, songs, and piano pieces.

Gounod’s work had an appreciable influence on many French composers, including Bizet, Massenet, and Delibes. He also wrote on musical subjects.


“Ascanio” de Saint-Saëns. Paris, 1890.
Le “Don Juan” de Mozart. Paris, 1890.
Mémoires d’un artiste, 3rd ed. Paris, 1896. In Russian translation: Zapiski artista. St. Petersburg [1904]. Vospominaniia artista. Moscow, 1962.


Frantsuzskaia muzyka vtoroi poloviny XIX veka: Sb. perevodnykh rabot. Edited by M. S. Druskin. Moscow, 1938.
Prod’homme, J. G., and A. Dandelot. Gounod (1818–1893), vols.1–2. Paris, 1911.


References in periodicals archive ?
6) To understand all of this, we must see what happened in music from Charles Gounod to Alban Berg and assess whether those happenings can rightly determine the "value" of Gounod's opera.
It cost the festival committee pounds 4,000 to lure Charles Gounod from Paris, but a packed hall and greatly increased profits made the investment worth it.
5]) from Faust by Charles Gounod, and another of Cherubino's arias, "Non so piu" ([E.
However, politics could not have been the only determining factor for Beauquier's and Lab's choice of story; Macdonald notes that in 1864 Jules Barbier had written a Fiesque libretto for Charles Gounod that was never set to music (p.
Ya en Italia, en la Scala de Milan, donde estableceria su residencia de por vida, hasta su muerte, debuto el 7 de mayo de 1953 en Adriana Lecouvreur, de Francesco Cilea, en una opera que le dio fama y fortuna, como la Princesa di Bouillon, junto a la otra gran diva de la epoca, la soprano Renata Tebaldi; tendrian que pasar cerca de cincuenta anos para que otra cantante mexicana figurara en este emblematico escenario, cuando nuestra soprano Maria Alejandres triunfo en el 2011 en Romeo y Julieta, de Charles Gounod.
Amour ranime mon courage de Romeo y Julieta, de Charles Gounod, personaje del que ha hecho toda una creacion de acuerdo a la critica mundial, y por si lo anterior fuera poco y nada agotador, remato con Qui la voce de Los Puritanos, de Bellini.
Charles Gounod composed the opera in 1859, based on a play that was based loosely on Johann Wolfgang von Goethe's play "Faust Part One.
The first half of the program was framed by two excerpts from opera, "Polonaise from Act 3 of Eugene Onegin" by Tchaikovsky and "Waltz from Faust" by Charles Gounod.
Charles Gounod based his 1859 opera Faust on the 500-year-old legend of the man who sold his soul to the Devil in return for Earthly fulfilment but there is no definitive version of the work, Gounod's extensive rewrites providing many possible permutations.
The best works of the complex and underappreciated composer Emmanuel Ghabrier, for example, are his most French, and while at least some operas of the non-Wagnerians Charles Gounod and Jules Massenet still hold their place in the repertoire, Chabrier's Gwendoline, Ernest Chausson's Le roi Arius, and Cesar Franck's Hulda (such a title
Con el antecedente innegable de su coterraneo Berlioz a traves de La condenacion de Fausto, la primera puesta en musica del clasico de Goethe, Charles Gounod materializo dos de sus mas hondas y sinceras admiraciones en la escrita de su homonima opera en cinco actos, Fausto.
Students of flute professor Molly Barth and bassoon professor Steve Vacchi will perform chamber music by Charles Gounod, Jean Franaix, Gustav Holst and others.