Charles Munch

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Munch, Charles


Born Sept. 26, 1891, in Strasbourg, France; died Nov. 6, 1968, in Richmond, Va. French conductor and violinist.

Munch became the leader of the Strasbourg Orchestra in 1919 and of the Gewandhaus Orchestra of Leipzig in 1923. In 1932 he settled in Paris, where he made his debut as a conductor. From 1935 to 1938 he directed the Paris Philharmonic Orchestra and from 1937 to 1946, the Paris Conservatory Orchestra. Munch was the first to perform Honegger’s Song of Liberation (1944) and Shostakovich’s Seventh Symphony (1945) in Paris after its liberation from the fascist German occupation. In 1946, Munch made his debut in the USA; from 1949 to 1962 he conducted the Boston Symphony Orchestra. In the following years he was very active as a guest conductor; in 1956 and again in 1965 he appeared in the USSR. In 1967, Munch became head of the newly created Paris Orchestra.

A vivid emotional quality, profound intellect, strict taste, and exceptionally precise conducting made Munch an outstanding interpreter of many musical works. He brought public attention to contemporary French composers (A. Honegger, A. Roussel, H. Dutilleux, J. Guy-Ropartz), whose works he was the first to conduct.


In Russian translation:
Ia—dirizher. Moscow, 1960.


References in periodicals archive ?
They cover Sir Adrian Boult, Albert Coates, Carlo Maria Giulini, Erich Kleiber, Paul Kletzki, Otto Klemperer, Pierre Monteux, Charles Munch, Leopold Stokowski, Vaclav Talich, Eugene Ormandy, Carl Schuricht, and Bruno Walter.
Meriwest Chairman Charles Munch said, "Chris' leadership of Meriwest over the years has been impressive, reorganizing the company, delivering growth and developing a clear forward strategy with a strong portfolio of new opportunities.
He is the fifteenth music director in the history of the Boston Symphony Orchestra, following such greats as Serge Koussevitzky, Charles Munch, Erich Leinsdorf, William Steinberg, Seiji Ozawa, and James Levine.
His music was championed by Charles Munch, and was added to the repertoire of the Boston Symphony Orchestra while Munch was conductor.
Thomas Beecham, Charles Munch, Colin Davis, these are the conductors one associates with Berlioz.
Best known for his luminous paintings showcasing images of people and animals, Charles Munch began his twenty-five year career as an American artist in a poetic realism tradition and gradually evolved to paint the elegant semi-abstractions for which he is acclaimed today.
Still, it's the Saint-Saens that most people will probably want, and here one might do better with Louis Fremaux and the City of Birmingham Symphony Orchestra on a mid-priced EMI or Charles Munch and the Boston Symphony on an RCA SACD or an expensive but worthwhile JVC XRCD.
I listened to this twice straight through, but have to confess to switching off after a few minutes of the Bloch Violin Concerto, written for Szigeti and given here with the Paris Conservatoire Orchestra under Charles Munch in a recording made in 1939.
In her biography of Charles Munch (1891-1968), Genevieve Honegger has chosen to present her subject in the mirror of his correspondence.
Charles Munch raises the game of the Orchestre de Paris to quite unexpected levels in performances of the Bolero, Rapsodie Espagnole and the Second Suite from the ballet Daphnis and Chloe, making the famous Danse generale here sound exactly like the scion of Rimsky-Korsakov it is.
Charles Munch is a Wisconsin artist whose paintings have as their themes imaginary landscapes in which humans, animals, and the elements combine in iconic and mysterious ways.
The fifth volume (February 27, 1963) features the Alsatian conductor Charles Munch in an all-French program offering the most adventurous program of the videos so far released.