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choreography
(redirected from Choreographers)

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.01 sec.

choreography

Art of creating and arranging dances. The word is derived from the Greek for “dance” and “write,” reflecting its early meaning as a written record of dances. By the 19th century the term was used mainly for the creation of dances, and the written record became known as dance notation. In the 16th century dance masters at the French court arranged their social dances into specific patterns. In the 17th century such dances became more complex and were performed as theatrical ballets by trained professionals. In the late 18th century Jean-Georges Noverre and Gasparo Angiolini introduced choreography that combined expressive mime and dance steps to produce the dramatic ballet. This was further developed in 19th-century Romantic ballets by Marius Petipa, Jules Perrot, and August Bournonville. Radical change in the 20th century began with choreographers of the Ballets Russes, including Michel Fokine and Léonide Massine, and continued with George Balanchine, Martha Graham, Frederick Ashton, Jerome Robbins, Merce Cunningham, and Twyla Tharp. See also Alvin Ailey; Agnes de Mille; Serge Lifar; Bronislava Nijinska; Salvatore Viganò.


choreography, choregraphy
1. the composition of dance steps and sequences for ballet and stage dancing
2. the steps and sequences of a ballet or dance
3. the notation representing such steps


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They built the program to give professional dancers and advanced students exposure to teachers, choreographers, and artistic directors while on summer layoff, and choreographers the freedom to experiment, and even, as Slipper put it, to fail.
This week, Les Grands Ballet Canadiens de Montreal will perform works by two young European choreographers when the company makes its debut at the Dorothy Chandler Pavilion on Friday and Saturday, kicking off the fourth season of Dance at the Music Center.
Dance has long enthralled gay men and lesbians, in part because of their appreciation of form and movement in the human body and in part because, as the Cirque du Soleil story in this issue shows, many dancers and choreographers are themselves gay.
 
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