Claude Chabrol


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Claude Chabrol
Claude Henri Jean Chabrol
Birthday
BirthplaceSardent, France
Died
Occupation
director, actor, producer, screenwriter

Chabrol, Claude

(klōd shäbrōl`), 1930–2010, French filmmaker, b. Paris, attended Univ. of Paris. One of the creators of the French "new wave" cinema of the 1950s and 60s, he and such other future film greats as Eric RohmerRohmer, Eric,
1920–2010, French film director and writer, b. Jean-Marie Maurice Schérer. He was a founder (1950) of La Gazette du cinéma, cowrote (1957) a study of Alfred Hitchcock, and edited (1957–63) the influential journal
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, Jean-Luc GodardGodard, Jean-Luc
, 1930–, French film director and scriptwriter, b. Paris. He wrote criticism for a number of Parisian cinema journals in the early 1950s before embarking on his filmmaking career. Godard is probably the most influential of the French New Wave directors.
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, and François TruffautTruffaut, François
, 1932–84, French film director and critic. Known in his early 20s as a writer for the influential French film journal Cahiers du Cinéma,
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 wrote film criticism for the influential journal Cahiers du Cinéma in the 1950s. With Rohmer, he wrote a biography of Alfred Hitchcock (1957, tr. 1979). In 1958 he made his first film, Le Beau Serge, which he wrote, produced, and directed. Its dark themes of mystery, violence, and obsession became characteristic of many of his films and reflect the influence of Alfred HitchcockHitchcock, Sir Alfred,
1899–1980, English-American film director, writer, and producer, b. London. Hitchcock began his career as a director in 1925 and became prominent with The 39 Steps (1935) and The Lady Vanishes (1938).
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. This film and the subsequent Les Cousins (1959) are often cited as the first examples of France's new wave movement. In his films Chabrol also explored themes of class and sexuality, often satirizing France's bourgeois tradition, and he developed an elegantly cool and distant style leavened by a sly humor. Among the other works of his early and most successful period are Les Bonnes Femmes (1960), Les Biches (1968), La Femme Infidèle (1969), and This Man Must Die (1969). Extremely prolific, during the 1960s and 70s he averaged two or three works a year. Later highlights of his more than 60 films include the Hitchcockian Le Boucher (1970), Wedding in Blood (1973), Blood Relations (1978), the highly acclaimed Story of Women (1988), Madame Bovary (1991), L'Enfer (1993), the extremely successful thriller La Cérémonie (1995), Merci pour le chocolat (2000), The Bridesmaid (2004), A Girl Cut in Two (2007), and the suspenseful Bellamy (2009), his last film.

Bibliography

See studies by R. Wood and M. Walker (1970) and G. Austin (1999).

References in periodicals archive ?
s) accessibility works - claude chabrol college, 28 les pradeaux, 23150 ahun - 3rd procedure: Lots 1 and 4.
Indissociable de l'oeuvre de Claude Chabrol, qui lui a offert quelques-uns de ses plus beaux roles, Isabelle Huppert entretient egalement une relation particuliere avec Michael Haneke qui lui offre, avec "La pianiste", son second Prix d'Interpretation a Cannes.
At the time of filming, she was married to another legendary director, the now late Claude Chabrol, and had been a mother for nearly a decade.
A total of 90 screenings have been scheduled, ranging from the latest Gerard Depardieu (Dumas) and Laetitia Casta (Behind the Walls) films to a retrospective of Claude Chabrol films.
However, Claude Chabrol inherited the project from Henri-Georges Clouzot who began filming the movie in 1964.
Godard worked from scenarios written by both Rohmer and Truffaut; whilst Claude Chabrol (through his production company AJYM Films) often served as a producer for his colleagues.
Que actriz francesa protagonizo Pasion de Godard (1982), Historias de mujeres (1988), Madame Bovary (1992), de Claude Chabrol, y Mi madre (2001), de Cristophe Honore?
In late the 1940s and early 1950s, the young Schrer''s interest in films brought him into contact with Jean-Luc Godard, Franois Truffaut, Jacques Rivette and Claude Chabrol.
The Lane Community College/DIVA Behind the Lens seminar features the films of Claude Chabrol beginning Sunday.
Heavy-handed French drama is a clumsy affair from veteran director Claude Chabrol, though at least Sagnier is watchable as she lurches between an old goat (Berleand) and a spoiled brat (Magimel).
Thanks to technical advances in the late 1950s -- lighter cameras and increasingly light-sensitive film -- he and cohorts Claude Chabrol, Jean-Luc Godard, Alain Resnais, Eric Rohmer and Jacques Rivette, brought a fresh breath to movies, shooting outside in natural settings with trimmed-down budgets and crews, and no stars.
Destacados cineastas formaron un comite y salieron en su defensa; entre ellos estaban Alexandre Astruc, Claude Berri, Robert Bresson, Claude Chabrol, Georges Franju, Abel Gance, Jean-Luc Godard, Joris Ivens, Chris Marker, Alain Resnais, Jacques Rivette, Eric Rohmer, Jean Rouch y Francois Trauffaut.