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Cibber, Colley
(redirected from Colley Cibber)

   Also found in: Wikipedia 0.02 sec.
Cibber, Colley (sĭb`ər), 1671–1757, English dramatist and actor-manager. Joining the company at the Theatre Royal in 1690, Cibber became successful as a comedian, playing the fops of Restoration comedy. His first play, Love's Last Shift (1696), is a landmark in the history of the theater and is regarded as the first sentimental comedy. Of his 30 dramas, She Wou'd and She Wou'd Not (1702), The Careless Husband (1704), and The Nonjuror (1717) are the most notable. From 1710 to 1740 he was the manager of Drury Lane. He was appointed poet laureate in 1730. An extremely unpopular, social-climbing, and insolent man, he was ridiculed by the critics and bitterly attacked by Pope, who made him the hero of the final version of The Dunciad. Cibber's Apology (1740) is a mine of information about the theater of this period.

Bibliography

See R. H. Barker, Mr. Cibber of Drury Lane (1939); L. Ashley, Colley Cibber (1965).

Both his son,

Theophilus Cibber, 1703–58, and his daughter,

Charlotte (Cibber) Clarke, d. 1760?, went on the stage with some success, earning wild and eccentric reputations in the tradition of the family. The wife of Theophilus,

Susannah Maria (Arne) Cibber, 1714–66, sister of the composer Thomas Augustine Arne, sang in opera and appeared with great success in tragic roles.


Cibber, Colley

(born Nov. 6, 1671, London, Eng.—died Dec. 11, 1757, London) British actor-manager, playwright, and poet. He began his career as an actor in 1690. His Love's Last Shift (1696) is considered the first sentimental comedy. Cibber and two other actor-managers comanaged the Drury Lane Theatre (1710–33). He was appointed poet laureate in 1730. His autobiography, An Apology for the Life of Mr. Colley Cibber (1740), contains the best account of the theatre of his day. Tactless, rude, and supremely self-confident, he was the target of many personal and political attacks; Alexander Pope mocked him as king of the dunces in his satirical poem The Dunciad. See also actor-manager system.



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1668 John Dryden 1688 Thomas Shadwell 1715 Nicholas Rowe 1718 Rev Laurence Eusden 1730 Colley Cibber 1757 William Whitehead 1692 Nahum Tate 1790 Henry James Pye 1813 Robert Southey 1843 William Wordsworth 1785 Rev Thomas Warton 1850 Alfred, Lord Tennyson 1896 Alfred Austin 1913 Robert Bridges 1930 John Masefield 1967 Cecil Day-Lewis 1972 Sir John Betjeman 1984 Ted Hughes 1999 Andrew Motion 2009 Carol Ann Duffy yesterday CAPTION(S): PASSIONATE Carol Ann writes from the heart
IT'S NOT A BARD LIST 1668: John Dryden 1688: Thomas Shadwell 1692: Nahum Tate 1715: Nicholas Rowe 1718: Reverend Laurence Eusden 1730: Colley Cibber 1757: William Whitehead 1785: Reverend Thomas Warton 1790: Henry James Pye 1813: Robert Southey 1843: William Wordsworth 1850: Alfred, Lord Tennyson 1896: Alfred Austin 1913: Robert Bridges 1930: John Masefield 1967: Cecil Day-Lewis 1972: Sir John Betjeman 1984: Ted Hughes 1999: Andrew Motion 2009: Carol Ann Duffy
Olivier credits both Colley Cibber and David Garrick as co-contributors to his Richard III screenplay, explaining their contribution as follows: Actors (David Garrick) and playwrights (Colley Cibber) have tried to enhance the part over the years; Cibber's adaptation was the standard acting text for a century.
 
 
 
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