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Concert of Europe

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Concert of Europe, term used in the 19th cent. to designate a loose agreement by the major European powers to act together on European questions of common interest. The concert emerged after the Congress of Vienna (1814–15) and included the Quadruple Alliance Quadruple Alliance, any of several European alliances. The Quadruple Alliance of 1718 was formed by Great Britain, France, the Holy Roman emperor, and the Netherlands when Philip V of Spain, guided by Cardinal Alberoni , sought by force to nullify the peace
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 powers of Great Britain, Austria, Prussia, and Russia, and, as of 1818, France as well. It aimed to preserve peace by concerted diplomatic action reinforced by periodic conferences dealing with problems of mutual concern.

Concert of Europe

In the post-Napoleonic era, the consensus among the European monarchies favoring preservation of the territorial and political status quo. The term assumed the responsibility and the right of the great powers to intervene in states threatened by internal rebellion. The powers discussed such intervention at several congresses, including those of Aix-la-Chapelle, Troppau, Laibach, and Verona.


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What a viable, long-term concert of powers strategy requires first is to strengthen and even widen existing alliances (as with the Clinton defense agreement with Japan and the ongoing expansion of NATO), and second, to draw the once and possible future adversary, Russia, into the circle of the concert, exactly as France was recruited into the original Concert of Europe only three years after the defeat of Napoleon.
One can build on this, too; Mandelbaum envisages a series of inclusive security arrangements roughly analogous to the Concert of Europe - the informal understandings forged among the great powers in the wake of the Napoleonic Wars that, he argues, constituted, "the most successful postwar European settlement.
 
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