Aiken, Conrad

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Aiken, Conrad

(ā`kĭn), 1889–1973, American author, b. Savannah, Ga., grad. Harvard, 1912. Aiken is best known for his poetry, which often is preoccupied with the sound and structure of music; his volumes of verse include The Charnel Rose (1918), Selected Poems (1929; Pulitzer Prize), Brownstone Eclogues (1942), Collected Poems (1953), A Letter from Li Po (1956), A Seizure of Limericks (1964), and The Clerk's Journal (1971). In 1924 he edited Emily Dickinson's Selected Poems, which established her literary reputation. Aiken's interest in psychopathology is evident in the novels Blue Voyage (1927) and Great Circle (1933). His collected critical essays, A Reviewer's ABC, appeared in 1958, his collected short stories—including "Mr. Arcularis" and "Silent Snow, Secret Snow"—in 1961. Aiken held (1950–57) the poetry chair at the Library of Congress and was awarded the National Medal for Literature (1969).

Bibliography

See his autobiography, Ushant (1952, repr. 1971); biography by J. Martin (1962).

Aiken, Conrad (Potter) (Samuel Jeake, Jr., pen name)

(1889–1973) poet, writer; born in Savannah, Ga. He was raised in Cambridge, Mass., attended Harvard (B.A. 1907–12), lived in England for various periods, and settled in Brewster, Mass. (1940). He wrote for leading periodicals, and was noted for his rather difficult poetry, such as The Preludes for Memmon (1931), and for his demanding novels and short stories.
References in periodicals archive ?
No solo el alcohol se convirtio en un demonio que hostigo a Malcolm Lowry, tambien lo fue su antiguo maestro y amigo Conrad Aiken.
En 1933, Conrad Aiken junto con Clarissa, su segunda esposa, y el pintor Edward Burra conminaron a Lowry a ir de vacaciones a Espana.
Among early likes he has mentioned Conrad Aiken, Robinson Jeffers and--yes--Hart Crane.
The strong views she held as to who his real friends were, as well as her relations with the rest of his family, probably limited what Day could, with discretion, include, particularly as regards Lowry's first wife or his early mentor, Conrad Aiken.
The prestigious succession of its editors included Conrad Aiken, Van Wyck Brooks, Scofield Thayer, and Marianne Moore.
Among writers given employment were James Agee, Conrad Aiken, Saul Bellow, Erskine Caldwell, John Cheever, Ralph Ellison, Archibald MacLeish, Edmund Wilson, Richard Wright, and Frank Yerby.
The movement influenced the poetry of Conrad Aiken, Marianne Moore, Wallace Stevens, D.
Among the leading American poets of the decade were Robert Frost, Archibald MacLeish, James Gould Fletcher, Mark Van Doren, Robert Hillyer, Conrad Aiken, and expatriates T.
Carl Sandburg, Richard Aldington, Conrad Aiken, and Sherwood Anderson.
Ultramarine (1933), an impressionistic account of a sea voyage, owed something to his friend <IR> CONRAD AIKEN </IR> 's Blue Voyage (1927).
They included such already prominent authors as Conrad Aiken, Maxwell Bodenheim, and Claude McKay and such future luminaries as Richard Wright, Ralph Ellison, Nelson Algren, Frank Yerby, Saul Bellow, Loren Eiseley, and Weldon Kees.
The volume created a controversy when a group of poets chosen by the Library of Congress, and including Conrad Aiken, W.