Conrad Ferdinand Meyer


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Meyer, Conrad Ferdinand

 

Born Oct. 11, 1825, in Zürich; died Nov. 28, 1898, in Kilchberg. Swiss writer. Wrote in German.

Meyer came from an old patrician family and was educated as a historian and philologist. He made his literary debut with the collection Twenty Ballads (1864). His dramatic poem Hutten’s Last Days (1871) was imbued with antidespotic sentiments and contained qualities typical of his works in general: a realistic attitude toward life, subtle psychological insights, and integrity of world perception. In his historical novel Jürg Jenatsch (1876; Russian translation, 1918), Meyer depicted the rise and fall of an enterprising burgher cast into the midst of the struggle for liberation in 17th-century Switzerland. His short stories “The Saint” (1880) and “Plautus in the Nunnery” (1882) were evocations of strong characters from the distant past. Meyer was able to capture the spirit of the era he was describing. In his late short stories, including “Angela Borgia” (1891), his penchant for depicting spiritual torments and death increased. Meyer’s works were highly esteemed by M. Gorky and A. V. Lunacharskii.

WORKS

Sämtliche Werke: Historisch-kritische Ausgabe, vols. 1, 2, 3, 8, 10–14. Edited by H. Zeller and A. Zach. Bern, 1958–70.
In Russian translation:
Lirika. Translated by A. V. Lunacharskii. Petrograd, 1920.
Sviatoi. Preface by M. Gorky. Petrograd, 1922.
Novelly. Stikhotvoreniia. Introduction by A. A. Gozenpud. Moscow, 1958.

REFERENCES

Samarin, R. M. “K. F. Meier.” In Literatura Shveitsarii. Moscow, 1969.
Hohenstein, L. C. F. Meyer. Bonn, 1957.
Brunei, G. C. F. Meyer et la nouvelle. Paris, 1967. (With bibliography, pp. 537–57.)

V. D. SEDEL’NIK

References in periodicals archive ?
More plays would follow along with histories and, most importantly, an 1874 novel by Conrad Ferdinand Meyer, Jurg Jenatsch.
On balance, the retired judge admits, he sees his station in life much as Swiss novelist Conrad Ferdinand Meyer once described his own later life: "I want to walk slowly in the mountains and look for the bench reserved for the aging.
Over the years, this humble abode was extended towards the lake in a style more associated with the great houses of the French nobility Its grandeur attracted tenants such as the educator, Thomas Scherr, and the poet, Conrad Ferdinand Meyer.